David Geffen's far-reaching influence - as agent, manager, record industry mogul, Hollywood and Broadway producer, and philanthropist - has helped shape American popular culture for the past... Read allDavid Geffen's far-reaching influence - as agent, manager, record industry mogul, Hollywood and Broadway producer, and philanthropist - has helped shape American popular culture for the past four decades. Notoriously press and camera-shy, Geffen reveals himself for the first time... Read allDavid Geffen's far-reaching influence - as agent, manager, record industry mogul, Hollywood and Broadway producer, and philanthropist - has helped shape American popular culture for the past four decades. Notoriously press and camera-shy, Geffen reveals himself for the first time.
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What struck me most was the completeness the documentary shows of Geffen's career and personal life. The makers surely managed to grasp the essence, without getting lost in too many material available. They pay tribute to very prominent personality in entertainment. But not just looking at his work and accomplishments, but also where his drive comes from, what negative experiences he has had that made him the way he is. All in all, I'd like to call this a solid account of a survivor, a macher in the entertainment industry, that would have existed without him, but that wouldn't have been the same.
A more extensive review, on this documentary and others, you'll find on the CasparSongs blog.
"I was a free man in Paris I felt unfettered and alive There was nobody calling me up for favors And no one's future to decide You know I'd go back there tomorrow But for the work I've taken on Stoking the star-maker machinery Behind the popular song" ~ Joni Mitchell
"The word got around that there were these music-industry guys who were also human beings," says Jackson Browne. Browne, who sent sent Geffen a headshot and demo of Song For Adam, would know. David told his friend and fellow music agent Elliot Roberts, "This song will make you cry," about Song For Adam. He had that knack to find talent. When they weren't able to sign Jackson with an established record company, they formed Asylum Records in 1971 as a place for struggling artists to find shelter. Indeed, their stable of folk-rock singer-songwriters would hang out having a good time and getting stoned while David, an energetic opportunist who nurtured the careers and souls of his artists, remained clear headed as he worked his golden magic on the phone.
Geffen's story follows him from his early days in the mailroom at the William Morris Agency, (he lied about his schooling to get hired and then famously worked long hours in the mailroom until he could intercept and modify the letter that came from UCLA to show that he had attended and graduated), through his revolutionizing musical and film ventures. After he so devotedly nurtured Laura Nyro's career, putting her on the musical map by getting other musicans to cover her songs, she betrayed him by signing with Columbia records, not his label. He was heartbroken. He famously negotiated to get David Crosby, Stephen Stills and Graham Nash out of their respective record deals at three different companies, so that they could fly together. He gained the trust of Yoko Ono by being a mensch, and signed John Lennon not long before Lennon was killed.
Let's see, what else? He was gay and fell in love with Cher, (I just read Val Kilmer's autobiography... does everyone fall in love with Cher?), he super managed a boatload of talent, sued Neil Young for being creative, (Neil was interviewed in this film), bought Jack Warner's mansion in Hollywood, made millions, made billions, was misdiagnosed with cancer in 1977 and retired. Found out he didn't have cancer and founded Geffen Records in 1980, DGC Records in 1990, and co-founded DreamWorks SKG in Q1994, a powerhouse movie studio with Steven Speilberg, Jeffrey Katzenberg.
Geffen gave a lot to the cause of AIDS/HIV, and more. He financially supported Bill Clinton early on but grew disillusioned when Clinton didn't live up to his promise to have gays accepted in the American armed forces and when Clinton did not pardon political prisioner Leonard Peltier. David then publicly came out against Hillary Clinton and threw his support beond Barack Obama.
I recommend this film for those of us lucky enough to have benefited from David Geffen's creative moxy, and for those who don't yet know of him. This film will remind you or introduce you to his marvelous cultural contributions. It's available now on Amazon Prime.
I love hearing about people who make it - and help others along the way - and who remain themselves while doing it. It seems that David Geffen did just that. He did it with some smoke and mirrors and few white lies here and there - and thank goodness he did.
The entertainment business would have not been nearly as vast and deep without him blustering his way through it while caring for the people around him - and they for him.
It was interesting to see what he accomplished and how he did it. The good, the bad and the ugly of it all. Isn't that life in almost any industry you can look at?
I gave it 7 stars because I do think it was too long, and like Clint Eastwood's movie, could have been cut a bit here and there.
Storyline
Did you know
- ConnectionsFeatures The Ed Sullivan Show (1948)
- SoundtracksCarry On
Written by Stephen Stills
Performed by Crosby Stills Nash & Young
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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- David Geffen on American Masters
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- Runtime1 hour 55 minutes
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- 16:9 HD