A sniper on a mercenary assassination team, kills the minister of mines of the Congo. Terrier's successful kill shot forces him into hiding. Returning to the Congo years later, he becomes the target of a hit squad himself.
A sniper on a mercenary assassination team, working for an unknown client, kills the minister of mines of the Congo. Terrier's (Sean Penn's) successful kill shot forces him to go into hiding to protect himself and the members of the team from retribution. This includes abruptly abandoning his girlfriend who has no idea what is going on. The assassination, paid for by a foreign mining company, triggers wide spread chaos and death in an already inflamed Congo. Terrier returns to the Congo years later working for an NGO, but eventually finds himself to be the target of a paid hit squad somehow connected to the ministers assassination. This leads to immediate deaths and the endangerment of the people working around him, and forces him back into hiding. In trying to discover who has put a price on his head, he begins to reconnect to the members of his old assassination team, including his old girlfriend. Always aware there is no path to redemption for his crimes, he is also periodically ...Written by
Javier Bardem was reportedly paid US $5 million dollars for his supporting role in the film. See more »
When being attacked by approaching gunmen Annie is told to get dressed. She clearly has no clothes on under the towel and pulls a pink t-shirt on over her head. In a scene later you can clearly see that she has a bra on under her shirt. See more »
The Democratic Republic of Congo is the scene of the worst humanitarian crisis in the world, according to the United Nations.
In what is being described as the world's deadliest conflict since World War II, millions of people have been killed. Massacres and rape, routinely used as weapons of war, have forced hundreds of thousands of people to flee their homes.
For years, the United Nations and non-governmental organizations, NGOs, have been providing humanitarian relief in an ...
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Under the Gun Symphonic Suite Part 1, 2, 3, 4
Composed and Produced by Marco Beltrami (ASCAP)
Co-Produced by Buck Sanders
(P) 2014 Pianella Music, Inc.
(C) Studiocanal (SACEM / SABAM)
Courtesy of Marco Beltrami & Pianella Music, Inc.
Co-Produced by Buck Sanders See more »
In the same grain as "The American" and "The International", "THE (notice a trend?) Gunman" is a international thriller/action. Where the former 2 films focus more on the thrill, and are overall failures, Gunman is more action, and much more entertaining. If you are looking for a fairly low commitment to a 'smart' action movie, then you can do worse.
In 2006, Terrier (Penn) works for a global corporation (that might as well be called Umbrella Corporation) and is asked to kill a high ranking diplomat. The movie then skips ahead to the present where Terrier is not being chased down by unknown assailants. Nothing original there.
Terrier (Penn) is a likable character. Penn tends to be an actor your either hate or love, but he is does a good job as a grittier, more realistic Jason Borne. The movie ties to humanize him, but that side plot is mostly a thud. After Penn, the cast is stellar - however underutilized. It really is the peak of 'hey that guy' British actors. Unfortunately, Elba who gets second billing is in the movie for 2 scenes total and less than 3 minutes screen time, a role that has so little to it that I might as well have played the character. Winstone and Bardem exist, but their talent is mostly wasted.
The movie is a step sideways from a classic action movie. If you like the Borne series and its fast paced action you likely won't enjoy the more 'realistic' violence of "The Gunman". Unfortunately, if you are not interested in the Borne series, this likely won't be of any more interest. I give the movie a 7, because I enjoyed it. It is far from perfect, I feel the movie definitely 'left sometime on the table' in terms of directing and acting, it misses often in character development, and the movie kind of devolves into cliché, but there is enough substance to watch.
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