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While studying the habits of web cam chat users from the apparent safety of her own home, a young woman's life begins to spiral out of control after witnessing a grisly murder online.

Director:

Zachary Donohue

Writers:

Zachary Donohue (co-writer), Lauren Thompson (co-writer)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Melanie Papalia ... Elizabeth Benton
David Schlachtenhaufen David Schlachtenhaufen ... Damien Clark
Adam Shapiro ... Max
Anna Margaret Hollyman ... Lynn Benton
Matt Riedy ... Sgt. Tisbert
Katija Pevec ... Jenni
Saidah Arrika Ekulona ... Sally
Anthony Jennings ... Officer Dawson (as Anthony Paul Michael Jennings)
Victoria Hanlin ... Brianne
Anushka Rani ... Young Indian Girl
Garrett Fornander Garrett Fornander ... Prank Boy
Lily Holleman ... Evil Girl
Jeff Rubino Jeff Rubino ... Suburban Dad
Jonah Landow Jonah Landow ... Suburban Boy
Rikin Vasani Rikin Vasani ... Sudeep
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Storyline

A young woman studying the habits of webcam chat users from the apparent safety of her apartment witnesses a brutal murder online and is quickly immersed in a nightmare in which she and her loved ones are targeted for the same grisly fate as the first victim. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

He wants you to watch. See more »


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, terror, some sexuality, graphic nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

14 March 2014 (USA) See more »

Also Known As:

Death Online See more »

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Box Office

Budget:

$500,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Bill Oberst, Jr., the uncredited actor who plays Skeeter, is the same actor from the viral campaign "Take the Lollipop", which spread awareness of the dangers of online stalking. See more »

Goofs

The movie said it takes place in Valencia. But when the cops are coming out of Elizabeth's sisters house after the killers leave, the cops car have the LAPD logo but Valencia have their own police not the LAPD. See more »

Crazy Credits

The very end of credits has "Talk to someone..." See more »

Connections

Referenced in Unfriended (2014) See more »

Soundtracks

Videochat Frenzy
Composed by Adam Popick and Zachary Donohue (as Zach Donohue), 2013
See more »

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User Reviews

Limits, images
1 April 2014 | by chaos-rampantSee all my reviews

Here's one of those things that sound stupid if you just describe it, a horror film in the found footage mode entirely assembled via web and phone cams and mostly taking place on a laptop. No it isn't scary, the acting is below par, there's no cinematic craft, the horror plot and climax are atrociously bad, in the end it's no more than a gimmick, but for a while you can see them probing something interesting.

Part of the reason why I think it's so darn clever is in how it threads the practical limitations of what they could do on a tiny budget, around narrative limitations of how much story they could deliver within the former, around broader meta- limitations of how much is possible for a viewer to know as true, going from meagre means to the broad, perplexing questions.

Inspiration after all is nourished and energized by limits, self-imposed or from necessity like a painter has to puzzle about how he can enliven and give depth to a twodimensional surface. It's easy to think of so many things to do with a budget in the millions, which is why unconstrained imagination fizzles out, but how much can you do with just a camera?

Here it's about a viewer in the midst of images, a girl doing a behavioral study over online chat services, who like us is looking to surmise possible pattern and truth; the constraint is that we can only watch.

A lot of the time we stare into a computer environment. Jarring to see in a film but still the groundwork through which we know so many other things these days. We see through a webcam at the girl in her apartment so we acquire a sense of real time. But then things are shifted around. Videos that we were parsing as taking place now are suddenly paused. We connect to random chatters, but have no way of knowing how much is real even within the small confines of the screen. Some of them are pulling pranks, there's a startling Russian roulette scene that ends with bloodshed and everyone laughing.

Among all this is footage of a possible murder.

So this could have been great, about our inability to be grounded in a horizon of shifting images and context; a Blowup for the tumblr age. We could swim far deeper into the videos, form more ambiguous connections, play and replay edges and details, tune in and out of a far stranger parade of the visual strangeness that is taking place out there, some of it feigned, some bizarre or exciting, even stupidity or crass sex would have its place, some strangely poetic in spite of all else.

So they constrained themselves in a powerful way, but halfway through they axe all that and fall back to the convenient limits of tradition: Halloween, Scream 2, Saw and Hostel. It's a throwaway thing by the end which is a shame.


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