5.8/10
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2 user 4 critic

Knielen op een bed violen (2016)

The film tells the love story between Hans (Barry Atsma) and Margje (Noortje Herlaar) - sweethearts since school. Hans grows up in a strict religious environment, with a brutal father. He ... See full summary »

Director:

Ben Sombogaart

Writers:

Hugo Heinen (screenplay), Hugo Heinen (story) | 2 more credits »
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2 wins & 7 nominations. See more awards »

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Cast

Credited cast:
Gaite Jansen ... Johanna
Barry Atsma ... Hans Sievez
Noortje Herlaar ... Margje
Nils Verkooijen ... Tom
Karlijn Sileghem ... Els Maters
Teun Stokkel Teun Stokkel ... Hans (12 jaar)
Bert Luppes Bert Luppes ... Steffen
Marcel Hensema ... Jozef Mieras
Manou Kersting ... Jos Maters
Willem Voogd Willem Voogd ... Ruben
Peter Bolhuis Peter Bolhuis ... Wieland
Ad Knippels Ad Knippels ... Ds. Laarman
Mike Reus Mike Reus ... Vader Hans
Sijtze van der Meer ... Zwartjas
Reinier Bulder Reinier Bulder ... Dr. Sikkel
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Storyline

The film tells the love story between Hans (Barry Atsma) and Margje (Noortje Herlaar) - sweethearts since school. Hans grows up in a strict religious environment, with a brutal father. He runs away from home at a young age and studies horticulture. After World War II, he starts a nursery in a village in the province of Gelderland. At first, he and Margje enjoy a happy family life and boundless love for one another. They also experience problems, however, with keeping the business going. One day, Hans meets Jozef Mieras (Marcel Hensema), who talks to him about God. After Hans hears God's voice in a vision, he becomes drawn ever deeper into his faith - a faith that will now determine the course of his life, and that of his family. The rifts between the different family members become greater and greater until Hans is completely in the grip of the religious sect. Yet Margje's unconditional love for him survives, in spite of all.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Netherlands | Belgium

Language:

Dutch

Release Date:

25 February 2016 (Netherlands) See more »

Also Known As:

In my Father's Garden See more »

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Box Office

Opening Weekend:

€242,525 (Netherlands), 28 February 2016, Limited Release
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color
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Did You Know?

Trivia

You see flies flying around in the kitchen, while it is winter. There are no flies in the Netherlands when it is winter. See more »

Connections

Referenced in De slimste mens ter wereld: Episode #10.19 (2017) See more »

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User Reviews

 
Made by atheists for atheists
4 April 2016 | by bertverwoerdSee all my reviews

Though I am not religious anymore and have not visited a Dutch Reformed church in a decade or so, I retained enough knowledge about my former faith to be very annoyed by this movie. It gets so many details so blatantly wrong, that it's clearly made by people who have never seen a church from the inside, and is aimed at non- believers only.

As such, it fails to deliver on its premise of painting a portrait of the very devoutly Christian Dutch 'gereformeerden.' At one point a child actor sings one of the most famous psalms in the Dutch Calvinist churches, but completely, totally, screws up the melody; more than enough to not be able to suspend one's disbelief any longer. Just another example of shoddy research: the actors read Bible verses in the old 17th century translation, but never do this in the singy, nearly Muslim-like way all Reformed people do it.

Additionally, the movie appears to have had a budget of about $3.50. Its OST consists of a 10 second loop of orchestral music which blatantly rips off Michael Kamen's Band of Brothers soundtrack, and its camera work is so shoddy you keep thinking they just couldn't be bothered to do any retakes.

Also, the casting is horrible: several actors are either just really bad, or talk in Brabantian (southern Dutch) accents while no Reformed person in the history of Calvinism would ever have talked in such an accent (the Bible Belt is north from Brabant). Then, there are numerous anachronisms: for example, music that is supposed to sound like mid- 60s Beatlemania rock (as the scene is set in 1965) actually sounds like mid-50s Buddy Holly-rock 'n roll. Lastly, the director chose to end a movie about the most die hard Amish-like hardcore Christians you can find on the planet, by playing an evangelical 'hallelujah!' song while the credits roll. Appalling and laughable.

All in all, a movie to avoid, except if you want to waste two hours of your life on a totally incorrect and sloppy portrayal of zealous Dutch Christians. If you réally want to spend two hours on getting to know the Reformed Church, they'll gladly show you for free twice every Sunday at a location near you (though I'd suggest you stay in bed instead to Netflix and chill).


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