A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
Ginger Baker looks back on his musical career with Cream and Blind Faith; his introduction to Fela Kuti; his self-destructive patterns and losses of fortune; and his current life inside a fortified South African compound.
Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.
Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
Located alongside the Tennessee River, Muscle Shoals, Alabama is the unlikely breeding ground for some of America's most creative and defiant music. Under the spiritual influence of the 'Singing River' as Native Americans called it, the music of Muscle Shoals changed the world and sold millions upon millions of copies. At its heart is Rick Hall who founded FAME Studios. Overcoming crushing poverty and staggering tragedies, he brought black and white together in Alabama's cauldron of racial hostility to create music for the generations while giving birth to the 'Muscle Shoals Sound' and 'The Swampers'. Mick Jagger, Keith Richards, Percy Sledge, Gregg Allman, Clarence Carter, Etta James, Alicia Keys, Bono, and others bear witness to Muscle Shoals' magnetism, mystery, and why it remains influential today. Written by
Winner of the Grand Prize, Boulder International Film Festival, 2013. See more »
When Duane came here, he was on the Wilson Pickett session that we did.
There was always a slight problem when we would go out, all of us white boys with a black artist, that we'd get looks, okay? But there was nothing as bad as going out with a long-haired hippie with us white boys. They couldn't stand that, right? And so both of them stayed back.
So, they went on lunch break and my brother went up to Wilson and he said, uh, "Man, why don't you cut 'Hey Jude', you know, that Beatles song?"
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Although Steve Winwood is feature prominently, including with on-screen name identification, hie name is NOT listed in the end credits. See more »
Of the several recent documentaries made about singers, musicians and producers of rhythm and blues, this 2013 production and the Pennebaker-Hegedus film, "Only the Strong Survive", are probably the best. Musically "Standing in the Shadows of Motown" has no equal, for it was conceived as a concert film, a record of a historical reunion of Detroit's jazz musicians known as The Funk Brothers, with guest appearances from great contemporary vocalists, all recorded with care; while "Twenty Feet from Stardom" is surely the weakest, a lost opportunity to make an outstanding documentary, starring some of the best background vocalists of yesterday (and a few from the present), due to an average approach, like an extended television report. Not that "Muscle Shoals" and "Only the Strong Survive" are cinematic masterpieces, but both cover controversial facts surrounding some of their subjects, including producer Rick Hall in the first case, or Sam Moore in the second. Their personalities and stories lift these works from the common place, and help to make them very fine achievements. Hall is indeed a very complex man, from his childhood in poverty, living in the wilderness, to his success as owner of Fame recording studio in Muscle Shoals, the city where Aretha Franklin, Wilson Pickett, The Rolling Stones, Bob Dylan, Etta James and many others recorded hits. He omits nothing, revealing dark details from his family and work, and even making reflections about himself that reveal how the shortcomings and rejections he faced led him to achieve success. Due to the format there is fantastic R&B and rock and roll music that unfortunately is not enjoyed in its fullness (from Aretha to Duane Allman, among the many artists that recorded in Muscle Shoals), and very little live, new material, as the outstanding performance by Alicia Keys, several of the original session musicians and a gospel choir. But these are little complaints compared to the joy of seeing at last, a work on the fantastic music produced in those small recording studios in Alabama, and the group known as The Swampers. Don't miss it.
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