Critic Reviews



Based on 17 critic reviews provided by Metacritic.com
Featuring generous doses of raucous humor as well as a haunting atmosphere of dread as Tommy and Rosie’s exploits prove increasingly dangerous, Rob the Mob is a true-crime tale that boasts an uncommon emotional resonance.
Pitt and Arianda utterly inhabit these dolts and their delusional dreams. They’re careless and clumsy, never thinking things through, never seriously considering the inevitable consequences of what happens when you poke the bull.
Rob the Mob, which is more fun and more tightly constructed than “American Hustle,’’ romanticizes the clueless couple, whom the columnist dubs “Bonnie and Clyde,” and moves their inevitable Christmas Eve date with fate from Ozone Park to a far more attractive location.
Unexpectedly but effectively cast in a role that plays to his sullen strengths, Pitt has a palpable, playful rapport with Arianda, a Tony-winning Broadway ingenue whose warm, expressive features and tinderbox comic timing recalls the young Marisa Tomei.
The scowling Pitt proves no match for the Tony-winning Arianda, whose brassy, thick-accented positivity could probably cut down the gangsters as mercilessly as any gun. While the pair is robbing the mob, she’s stealing the movie.
Time Out
Early on, the film bristles with endorphins and oddness.
The movie winds up being a real standup flick, if you know what I mean.
Slant Magazine
For the most part, it's a gas, but the light touch Raymond De Felitta gives the material is at once its saving grace and its tremendous limiter.
The Dissolve
While Rob The Mob doesn’t ultimately hold together, it isn’t for a lack of trying by the performers or the filmmakers—like Tommy and Rosie, it’s doing its damnedest.
Village Voice
The stickups, while plenty funny... lack any sense of dread or danger. And while De Felitta has a knack for slaphappy eroticism — with the feisty Arianda on board, the sex scenes have genuine heat — he also resorts too often to sappy lyricism.

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