In a poor working class London home Penny's love for her partner, taxi-driver Phil, has run dry, but when an unexpected tragedy occurs, they and their local community are brought together, and they rediscover their love.
Set in the 1880s, the story of how, during a creative dry spell, the partnership of the legendary musical/theatrical writers Gilbert and Sullivan almost dissolves, before they turn it all around and write the Mikado.
Mr. Turner explores the last quarter century of the great if eccentric British painter J.M.W. Turner (1775-1851). Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea, where he dies. Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty.Written by
In late 2014, Sony Pictures was the victim of a major hack of their computer systems in which confidential corporate information and several unreleased complete movies were posted for public consumption. Among reams of other information, DVD-quality downloads of this movie appeared online before its official cinematic release. See more »
Turner spits on his painting as he is working on it and continues painting. This is not possible. Oil and water (saliva) do not mix and the paint would turn into a balled up mess. See more »
A biopic that most critics have admired, but, in my opinion, except the beautiful photography and costumes what is presented to the spectator is an artist from which we'll just know his grin and grunt,and some grandiloquent phrases about painting. He and people around him are described grotesquely and only so. In one of the scenes a pig is prepared to be eaten and this perhaps is a summary of the life of Turner and the other painters in the story, according to Mike Leigh, who also wrote the script. He has built the film with a series of scenes which with some variations are essentially a repetition of the same behavior. Leigh has given to the natural landscapes more relevance than to the paintings by Turner,and it seems that the daily life of the artist was more interesting than his work. Two hours and a half are too much to suffer a wrong conception of one of the most talented British directors.
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