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Get on Up (2014)

PG-13 | | Biography, Drama, Music | 1 August 2014 (USA)
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A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.

Director:

Tate Taylor

Writers:

Jez Butterworth (screenplay), John-Henry Butterworth (screenplay) | 3 more credits »
6 wins & 16 nominations. See more awards »

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Drama

Plot unknown.

Director: Tate Taylor
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Cast

Cast overview, first billed only:
Chadwick Boseman ... James Brown
Nelsan Ellis ... Bobby Byrd
Dan Aykroyd ... Ben Bart
Viola Davis ... Susie Brown
Lennie James ... Joe Brown
Fred Melamed ... Syd Nathan
Craig Robinson ... Maceo Parker
Jill Scott ... DeeDee Brown
Octavia Spencer ... Aunt Honey
Josh Hopkins ... Ralph Bass
Brandon Mychal Smith ... Little Richard (as Brandon Smith)
Tika Sumpter ... Yvonne Fair
Aunjanue Ellis ... Vicki Anderson
Tariq Trotter ... Pee Wee Ellis
Aloe Blacc ... Nafloyd Scott
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Storyline

On route to the stage, singer James Brown recalls a life with a turbulent childhood where music was his only constructive release for his passions. A chance demonstration of that in prison led to a new friend who helped get him out and into a musical career. With his fire and creative daring, Brown became a star who defiantly created new possibilities in show business both on and behind the stage in face of racism and conventional thinking. Along the way, James would also become a peacemaker who redefined and raised the African-American community's feeling of self-worth when it was needed most. However, those same domineering passions would lead James Brown alienating everyone around him as his appetites became ever more self-destructive. Only after he hit rock bottom with a serious mistake does Brown realize what he needs to do make his life as the Godfather of Soul truly worthwhile. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

The Funk don't Quit

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, drug use, some strong language, and violent situations | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

UK | USA

Language:

English

Release Date:

1 August 2014 (USA) See more »

Also Known As:

Get on Up: Príbeh Jamese Browna See more »

Filming Locations:

Natchez, Mississippi, USA See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$13,585,915, 3 August 2014

Gross USA:

$30,513,940
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Datasat | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Chadwick Boseman trained for 2 months to learn how to sing and dance properly. See more »

Goofs

When the madam pays James, she peels off a roll of $1 bills.They're federal reserve notes with a green seal, introduced in the early 1960s. The bills should've been silver certificates or US notes with blue or red seals. See more »

Quotes

Ben Bart: You're entering a game here where the rules are already set up.
James Brown: I'm just a street kid from Augusta, Georgia. Now, tell me what you see.
See more »

Connections

Referenced in Saturday Night Live: Chadwick Boseman/Cardi B (2018) See more »

Soundtracks

Say It Loud I'm Black and I'm Proud
Written by James Brown, Pee Wee Ellis (as Alfred James Ellis)
Performed by James Brown
Courtesy of Republic Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Tight as any James Brown track!
7 August 2014 | by HoldjerhorsesSee all my reviews

Two viewings in three days, to fully appreciate the magnificent achievement that's on screen. Not one extraneous word, scene, shot or sequence. The whole is as tight as James Brown's hits - or his pants.

The underlying construction of these snapshots of James Brown's life is flawless. Far from being haphazard or out-of-sequence for mere "effect," this non- linear storytelling technique has rarely been used with greater impact. Thankfully, Tate Tayler, Mick Jagger, the other producers and writers, decided AGAINST the boring born-in-a-shack and then this happened, and next that happened, and finally he died structure.

Result? The film has unexpected rhythms that never let go and build to the astonishing, electrifying re-creation of Brown's Paris concert that - even on second viewing - had me jumping out of my seat, fist-pumping the air and screaming, "YES!"

I wasn't alone.

Chadwick Boseman may be the black male Meryl Streep. His technical achievements alone are remarkable: Brown's moves, speech rhythms and timbre - but mainly his lip-syncing to Brown's vocals: flawless!

Even in the final moments, as the aged Brown silences his band, then begins the haunting "Try Me" a capella - in a closeup so tight you practically see Boseman's tonsils, his mouth, tongue placement, breathing and facial emotions are so perfectly and intensely aligned with Brown's voice you'd swear Boseman were doing his own signing.

But Boseman is equally true portraying Brown at any age, any stage, from any distance. You can't fake that level of acting proficiency. Whether he wins best actor, he is certain to (deservedly) be nominated.

Boseman'surrounded by an equally perfect cast, not one of whom rings false: ultimately a tribute to the director - stunningly supported by the script, cinematography and editing.

By comparison, Clint Eastwood's "Jersey Boys" looks exactly like what it is: a tired, clichéd jukebox Broadway musical with great old safe, whitebread hits (distinguished mainly by Frankie Valli's falsetto) and nothing else to write home about.

James Brown, on the other hand, was always in your face. So were (are) Mick Jagger and the Stones. And so, rightly, is "Get On Up" as a rousing cinematic experience that has to be seen to be believed.


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