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Title: Clouds of Sils Maria (2014)
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| Cast overview, first billed only: | |||
| Juliette Binoche | ... | Maria Enders | |
| Kristen Stewart | ... | Valentine | |
| Chloë Grace Moretz | ... | Jo-Ann Ellis | |
| Lars Eidinger | ... | Klaus Diesterweg | |
| Johnny Flynn | ... | Christopher Giles | |
| Angela Winkler | ... | Rosa Melchior | |
| Hanns Zischler | ... | Henryk Wald | |
| Nora von Waldstätten | ... | Actress in Sci-fi Movie | |
| Brady Corbet | ... | Piers Roaldson | |
| Aljoscha Stadelmann | ... | Urs Kobler | |
| Claire Tran | ... | Maria's London Assistant | |
 |
Stuart Manashil | ... | Maria's Agent |
|
|
Peter Farkas | ... | Journalist in Zürich |
| Ben Posener | ... | Journalist in London | |
|
|
Ricardia Bramley | ... | Talk Show Host |
The first real professional success for famed French actress Maria Enders was twenty years ago as the co-lead in writer Wilhelm Melchoir's play and subsequent movie "Maloja Snake", he who picked Maria, then an unknown, personally. She played Sigrid, an opportunistic eighteen year old in an emotionally dependent lesbian relationship with forty year old Helena, who was at a vulnerable stage of her life. Maria has turned down the play's upcoming London revival in which she would now play Helena, it remounted by director Klaus Diesterweg. Her reasons for turning down the role are many including: being at a vulnerable stage of her own life going through a painful divorce; remembering the suicide of Susan Rosenberg, the original Helena, following the original run of the play, the suicide purportedly mirroring what happens to Helena; and the painful memories of the production in still having hard feelings toward who was her older male costar, Henryk Wald, with who she had an affair at the ... Written by Huggo
Fantastic work from both Juliette Binoche and Kristen Stewart. The latter showed some more naturality in Still Alice and here she has a lot more screen time and is pretty great throughout. It's not an incredibly showy performance, though, not like Binoche's, but I could get behind it for awards love. Chloe Moretz's empty, superficial acting style actually works perfectly for her character here. I doubt it was really much work for her, but it works and she's not a distraction like she usually is. Juliette Binoche is amazing, as always. I could've seen her actually gaining traction for this film (had it been released near the end of the year). The film as a whole is... really weird. It's very entertaining throughout, never once dull, but it feels sort of aimless the more it goes on and while I get what points it was trying to make, it just felt a little too scattered to truly be great.