Clouds of Sils Maria (2014)

A film star comes face-to-face with an uncomfortable reflection of herself while starring in a revival of the play that launched her career.

Director:

Olivier Assayas

Writer:

Olivier Assayas

Stars:

Juliette Binoche, Kristen Stewart, Chloë Grace Moretz

19 wins & 42 nominations.

Cast

Cast overview, first billed only:
Juliette Binoche	...	Maria Enders
Kristen Stewart	...	Valentine
Chloë Grace Moretz	...	Jo-Ann Ellis
Lars Eidinger	...	Klaus Diesterweg
Johnny Flynn	...	Christopher Giles
Angela Winkler	...	Rosa Melchior
Hanns Zischler	...	Henryk Wald
Nora von Waldstätten	...	Actress in Sci-fi Movie
Brady Corbet	...	Piers Roaldson
Aljoscha Stadelmann	...	Urs Kobler
Claire Tran	...	Maria's London Assistant
Stuart Manashil	...	Maria's Agent
Peter Farkas	...	Journalist in Zürich
Ben Posener	...	Journalist in London
Ricardia Bramley	...	Talk Show Host

Storyline

The first real professional success for famed French actress Maria Enders was twenty years ago as the co-lead in writer Wilhelm Melchoir's play and subsequent movie "Maloja Snake", he who picked Maria, then an unknown, personally. She played Sigrid, an opportunistic eighteen year old in an emotionally dependent lesbian relationship with forty year old Helena, who was at a vulnerable stage of her life. Maria has turned down the play's upcoming London revival in which she would now play Helena, it remounted by director Klaus Diesterweg. Her reasons for turning down the role are many including: being at a vulnerable stage of her own life going through a painful divorce; remembering the suicide of Susan Rosenberg, the original Helena, following the original run of the play, the suicide purportedly mirroring what happens to Helena; and the painful memories of the production in still having hard feelings toward who was her older male costar, Henryk Wald, with who she had an affair at the ...

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Plot Keywords:

nudity | female nudity | voyeurism | voyeur | mini skirt | 

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for language and brief graphic nudity

Details

Official Sites:

Juliette Binoche: The Art of Being - Official Fansite Official site [Japan]

Country:

France Germany Switzerland

Language:

English French German Swiss German

Release Date:

20 August 2014 (France)

Also Known As:

Sils Maria

Filming Locations:

Sils-Maria, Kanton Graubünden, Switzerland

Box Office

Opening Weekend USA:

$61,810, 12 April 2015, Limited Release

Gross USA:

$1,811,138, 28 June 2015

Cumulative Worldwide Gross:

$4,733,798, 31 December 2015

Company Credits

Production Co:

CG Cinéma, Pallas Film, CAB Productions

Technical Specs

Runtime:

124 min

Sound Mix:

Dolby Digital EX

Color:

Color Black and White (archive footage)

Aspect Ratio:

2.40 : 1

Did You Know?

Trivia

Film posters outside of the movie theater reveal Jo-Ann Ellis' movie is titled "Time Shift."

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Goofs

In the opening, the characters are riding in what is clearly a second-class rail car. This would be completely out of character, given what we see later in the movie.

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Quotes

Rosa Melchior: It's almost a century old. Actually, it comes from very far away. That's the beauty of it.

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Crazy Credits

During the closing credits, four of the actors are shown under the heading "guest appearance by".

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Connections

References Forbidden Planet (1956)

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Soundtracks

Contentment
Music by Marian McPartland
© Editions KPM Music - K Music

User Reviews

Fantastic lead performances

Fantastic work from both Juliette Binoche and Kristen Stewart. The latter showed some more naturality in Still Alice and here she has a lot more screen time and is pretty great throughout. It's not an incredibly showy performance, though, not like Binoche's, but I could get behind it for awards love. Chloe Moretz's empty, superficial acting style actually works perfectly for her character here. I doubt it was really much work for her, but it works and she's not a distraction like she usually is. Juliette Binoche is amazing, as always. I could've seen her actually gaining traction for this film (had it been released near the end of the year). The film as a whole is... really weird. It's very entertaining throughout, never once dull, but it feels sort of aimless the more it goes on and while I get what points it was trying to make, it just felt a little too scattered to truly be great.