Photos and Videos
Directed by
| Alexander Perlman | ||
Produced by
| Eric Feig | ... | executive producer |
| Mei Li Heman | ... | associate producer |
| Daniel Livingston | ... | field producer / producer |
| Daniel Marracino | ... | executive producer / producer |
| Alexander Perlman | ... | producer |
Music by
| Matthew Dougherty | ||
Cinematography by
| Alexander Perlman | ||
Film Editing by
| Matthew Dougherty | ||
| Alexander Perlman | ||
Editorial Department
| James Fattu | ... | assistant editor |
| Matthew Fleischmann | ... | assistant editor |
| Thomas M. Vogt | ... | editorial consultant (as Tom Vogt) |
| Marvin Yoda | ... | post-production intern (as Yota Matsuo) |
| Alex Zustra | ... | assistant editor |
Camera and Electrical Department
| Michael Melcone | ... | camera operator |
| Ilya Shnitser | ... | camera operator |
Other crew
| Peter Flanigan | ... | legal (as Peter Flanigan Esq.) |
Production Companies
Distributors
Special Effects
Other Companies
- Eric Feig Entertainment & Media Law (Production Legal)
Storyline
| Plot Summary |
Lot Lizard is a feature documentary about truck stop sex workers in America. There are three million truck drivers and thousands of truck stops throughout the United States. Many of them are frequented by sex workers who truck drivers refer to as lot lizards. The film follows Jennifer, a recovering sex worker who is trying to get her life back on track, Bobby, a man struggling to come to grips with his girlfriend's livelihood, and Betty, an aging sex worker who makes no apologies for her lifestyle. These intimate portraits hint at a broader story about America, how it deals with its 'derelicts,' and how we are implicated as consumers. Written by Anonymous |
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| Parents Guide | Add content advisory for parents » |
Additional Details
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