Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages demanding $150 million into an off-shore account, or someone will die every 20 minutes.
A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
A group of Iraq War veterans look to clear their name with the U.S. Military, who suspect the four men of committing a crime for which they were framed.
While on a tour of the White House with his young daughter, a Capitol policeman springs into action to save his child and protect the president from a heavily armed group of paramilitary invaders.
After their plane crashes in Alaska, six oil workers are led by a skilled huntsman to survival, but a pack of merciless wolves haunts their every step.
Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Director:
Antoine Fuqua
Stars:
Gerard Butler,
Aaron Eckhart,
Morgan Freeman
Mercenary Frank Martin, who specializes moving goods of all kinds, surfaces again this time in Miami, Florida when he's implicated in the kidnapping of the young son of a powerful USA official.
Liam Neeson returns as ex-covert operative Bryan Mills, whose long awaited reconciliation with his ex-wife is tragically cut short when she is brutally murdered. Consumed with rage, and framed for the crime, he goes on the run to evade the relentless pursuit of the CIA, FBI and the police. For one last time, Mills must use his "particular set of skills," to track down the real killers, exact his unique brand of justice, and protect the only thing that matters to him now - his daughter.Written by
20th Century Fox
Only Taken film where Lenore and Kim don't share a scene. See more »
Goofs
In the scenes shown during Stuart St. John's description about Oleg Malankov's security, the Bentley Mulsanne changes into a Bentley Continental as it enters the building. See more »
Quotes
[Bryan has just shot Stuart, who has confessed to framing him for Lenore's murder]
Bryan Mills:
I know you know a lot of people, and with a good lawyer you'll get out of jail in a few years. And then I'll come for you. I'll find you, and we both know what's gonna happen.
See more »
Alternate Versions
Home video releases feature both the theatrical cut and an extended unrated version. See more »
A Stutter
Written by Ólafur Arnalds (as Olafur Arnalds), Arnór Dan (as Arnor Arnarson)
Performed by Ólafur Arnalds (as Olafur Arnalds) & Arnór Dan (as Arnor Dan)
(c) Nettwerk Administered by Because Editions
(p) 2013 Mercury Classics, a division of Decca Music Group Limited
With Courtesy of Universal Music Vision See more »
3 stars might be a little harsh seeing as I did enjoy this film, but I enjoyed it for all the wrong reasons. Seemed like a movie made by idiots for idiots. Anyone who is mildly intelligent will find it laughable.
Where do I start, the way this film was shot was poor at best, no scene lasted longer the 3 minutes to try and achieve the same relentless pace we enjoyed from the first Taken movie. This was even worse during any action sequence where there would be about 20 different shots in a space of 30 seconds showing pretty much the same event from pointless angles.
The dialogue, so cheesy, they put in every cliché line from any action movie you can think of, one dimensional characters sounding like idiots. There was a moment in this film where Mills plugs in a USB into a LAPD computer and the computers voices says "You are currently accessing the LAPD hidden files" just in case people in the cinema missed this.
This movie treats its audience like they are slow, and I feel you actually have to be to enjoy it for what it is. Some of the actions sequences were so unrealistic even a 9 your boy would find it a push to believe let alone us adults. Poor way to end a dying trilogy. Hopefully it will now stay dead.
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3 stars might be a little harsh seeing as I did enjoy this film, but I enjoyed it for all the wrong reasons. Seemed like a movie made by idiots for idiots. Anyone who is mildly intelligent will find it laughable.
Where do I start, the way this film was shot was poor at best, no scene lasted longer the 3 minutes to try and achieve the same relentless pace we enjoyed from the first Taken movie. This was even worse during any action sequence where there would be about 20 different shots in a space of 30 seconds showing pretty much the same event from pointless angles.
The dialogue, so cheesy, they put in every cliché line from any action movie you can think of, one dimensional characters sounding like idiots. There was a moment in this film where Mills plugs in a USB into a LAPD computer and the computers voices says "You are currently accessing the LAPD hidden files" just in case people in the cinema missed this.
This movie treats its audience like they are slow, and I feel you actually have to be to enjoy it for what it is. Some of the actions sequences were so unrealistic even a 9 your boy would find it a push to believe let alone us adults. Poor way to end a dying trilogy. Hopefully it will now stay dead.