Denmark's political scene is a public riot with ecologists and pro-nature activists demonstrating on the streets. The actual government legislature is far from keeping the promises of not ... See full summary »
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be ... See full summary »
Pavel, an emotionally volatile and socially alienated young man, sets off across Europe in search of his idol, the enigmatic painter Arnaud. Desperately lonely, Pavel tries to adhere to the host of characters he meets along the way.
Two strangers, one desperate to find her child, the other reluctant to attend the funeral of his father, imagine what might await them as they journey towards the haunting beauty of the Outer Hebrides, and just maybe, a better future.
A couple of weeks after his wife Ioana dies in a car crash, drunk and alone on the night he turns 42, Alexandru receives a visit. Sebastian, a shy, younger man, has been Ioana's lover for ... See full summary »
One man can't choose between two women. Dear Anca Damian, this is NOT a story in itself... you don't just go and film 1 hour and a half of this non-story without creating some background for the characters so we can empathize with them, without creating some sort of tension or at least some interesting scenes or conversations. I mean come on, you had a budget of almost 1 million euros... what have you done with all that money? There are 4 characters and almost all the so-called action happens indoor! This movie should be a model for how to NOT make movies. Oh and the way it tries to be "artsy" is just hilarious: we have the writer who sits alone, trying way to hard to be some kind of tormented Baudelaire and there's the main guy with lines spitted from the corner of his mouth... it's so cliche to the point of becoming disgusting. At least we got to see Ana Ularu's breasts (more than once), which was nice.
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