A young couple are shocked to find a teen runaway collapsed in their abandoned rural home. Unable to leave her alone, they allow her to join them on a strange night as they recover a few ... See full summary »
A crisis counselor is sent by the Catholic Church to a small Chilean beach town where disgraced Priests and nuns, suspected of crimes ranging from child abuse to baby-snatching from unwed mothers, live secluded, after an incident occurs.
A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.
Divorced for more than ten years, Gloria, a vibrant 58-year-old office clerk in Santiago and mother of two grown-up kids, craves for adventure, refusing to spend the rest of her life in solitude and self-pity. Instead, the vivacious Gloria embraces her freedom, and because of her love for dance and an aching longing for companionship, she will meet Rodolfo, a recently divorced former naval officer, and will daringly decide to give love a second chance. Regretfully; however, Rodolfo comes with baggage, and even though Gloria is sincerely attracted to him, reality's harsh truth will inevitably bring her face-to-face with towering obstacles, rather than undiluted excitement and ardent passion. In the end, Gloria alone, yet surrounded by people, sad but at the same time happy, will she ultimately find the strength to overcome them?Written by
An honest and intense portrait of a real woman, superbly interpreted
It is rare to find female portraits of real women, with all their imperfections, vulnerabilities, as well as their strength and courage. I have seen many movies trying to represent the female universe, but "Gloria" is in my opinion one of the most accurate, honest, real I have ever seen. In his picture there's not a single cliché , or pathetic, or melodramatic moment and the merit is to be given to Paulina Garcià who proves superb, she does not represent , she is a real woman, as if she were not playing. She offers such a variety of expressions, gestures , evidence of a great talent, her moments of joy are as intense as her down ones, proving always so charismatic and real. In the end we stay disarmed in front of this woman, who lives her sometimes desperate search for life in front of us, and we cannot but sympathize, smile, cry and feel with her. But her merit is shared by the director, quite significantly a man, and a young man, surprisingly capable of offering a very sensitive and mature view of the female world, and an equally honest view of a rather miserable male universe.
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