An earth-quake causes a nuclear crisis in a fictive Japanese prefecture. In wake of the disaster, the members of the Ono family who reside just outside the border of the mandatory ... See full summary »
When Syamoto's teenage daughter is caught stealing, a generous middle-aged man helps resolve the situation. The man and his wife offer to have Syamoto's troublesome daughter work at their ... See full summary »
A grisly murder occurs in Maruyama-cho, Shibuya, Tokyo - a love hotel district - a woman was found dead in a derelict apartment. Kazuko (Miki Mizuno) is a police officer called to ... See full summary »
The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.
In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. Merra, leader of the Wu-Ronz tribe of Bukuro crosses the line to conquer all of Tokyo. The war begins.
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Bullied and diminished by his fellow employees, demure and bashful Ryoichi Suzuki finds support in an unusual friendship with a turtle. Together they will share many adventures and finally conquer the world.
Fate causes the paths of a guerrilla film crew and two feuding Yakuza clans to clash for the second time in ten years in this outlandish comedy from 'Suicide Club' director Sion Sono. The movie initially feels like a twisted version of 'Bowfinger' or 'Cecil B. DeMented' as the young guerrilla filmmakers heartlessly intrude on the Yakuza madness to get money shots. In between the violence, there are also some moments of macabre beauty too, such as a young girl in a white dress sliding through a sea of blood, and things get more complex as the story progresses and jumps to the present. Deliciously weird and wacky as the film is, it takes a long time for the paths of the protagonists to cross once again, and the film feels way too long. It is, however, the midsection that needs trimming (especially a romance) as the carnage-heavy finale is glorious with the guerrillas' insensitivity to all the bloodshed at peak. The unemotional way in which they film all the action is uncanny; one gets a sense that they have completely lost all sense of distinction between reality and movie-making. The film has some solid performances too, particularly from Jun Kunimura as a much-feared Yakuza boss whose daughter used to be in toothpaste commercials, and Shinichi Tsutsumi as the other Yakuza boss who became fixated on Kunimura's little girl at an age that many would consider creepy. Fumi Nikaidou (as the adult daughter) also keeps singing her toothpaste jingle. It is that kind of delirious, unconventional comedy if one is in the mood for something decidedly different.
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