Two detectives work together to take down a serial killer operating on both sides of the Texas-Chihuahua border.Two detectives work together to take down a serial killer operating on both sides of the Texas-Chihuahua border.Two detectives work together to take down a serial killer operating on both sides of the Texas-Chihuahua border.
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Although it's an acquired taste, any fan of AMC's "The Killing" will quickly pick up on the parallels in this unusual murder mystery. It features two oddly paired police detectives, one from the El Paso police and another from Ciudad Juarez. As in the killing, the female detective is dedicated but personally challenged by an imbalanced personality and a singular drive to follow her leads to the bitter end. Unlike other viewers, I like Diane Kruger in the role and think we're only seeing the beginning of her personality development: I do believe she is an Asperger's sufferer and captures the traits of one afflicted with this quite well. There are many high-functioning and accomplished individuals with these symptoms all around the country, and in many ways, her focus on the details and minutiae of this case will help rather than hinder her along the way.
As her mismatched Mexican partner in the investigation, Demian Bechir possesses all the odd charm of his counterpart in "The Killing," the streetwise and pragmatic Detective Holder.
I've never seen a TV program that focuses on a sensitive border issue or the tragedy of so many murdered girls in Juarez, so I applaud FX for giving us something truly original. "The Killing" is the only thing remotely comparable to it, and I actually like the same type of slow unraveling of a gripping mystery we're being drawn into. I'm so weary of the CSI and Law and Order one-hour quick kill and wrap-up compacted into one hour of predictable procedural. I'll definitely keep watching!
As her mismatched Mexican partner in the investigation, Demian Bechir possesses all the odd charm of his counterpart in "The Killing," the streetwise and pragmatic Detective Holder.
I've never seen a TV program that focuses on a sensitive border issue or the tragedy of so many murdered girls in Juarez, so I applaud FX for giving us something truly original. "The Killing" is the only thing remotely comparable to it, and I actually like the same type of slow unraveling of a gripping mystery we're being drawn into. I'm so weary of the CSI and Law and Order one-hour quick kill and wrap-up compacted into one hour of predictable procedural. I'll definitely keep watching!
People seem to be split over "The Bridge" which makes sense for a TV show that probes the dialectic between North and South, white and brown, rich and poor. On the positive side we have an important contemporary topic (the slaughter of young girls in Mexico), some really interesting photography, and a lead character who is struggling with a mental health problem (think "Monk" as another of those rare TV shows that deal with this). Then there is some good acting, from Demian Bichir (he played Castro in "Che" and was nominated for an Oscar for "A Better Life") who plays a Mexican detective, Diana Maria Riva who plays receptionist Kitty, Ted Levine (the serial killer from "Silence of the Lambs") as the haggard Police Lieutenant, and Annabelle Gish (from "The Brotherhood") who plays a widow just learning about her life.
On the negative side, some of the scenes are a little gruesome to say the least, there is a lot of sex which may turn off some viewers (even while it turns on others), and the plot is complex, with multiple story lines that I suspect will ultimately intersect, but which can be burdensome to keep up with at this early stage. And of course, many people find Diane Kruger's Detective Cross a little disconcerting.
Personally I like the discomfort this show brings. I also like not having another one in an endless stream of attractive bouncy policewomen detectives. Co-creators Meredith Stiehm and Elwood Reid gave us another unusual female series star in Kathryn Morris's work in "Cold Case" (2003-2010), and that show was very memorable. So I'm prepared to stick with this one too. I give it an 8, which is probably more than it deserves at this point, but I think it has the potential to develop into a 10.
FWIW - If the multiple story lines confuse you, I suggest you record 3 or more shows before you watch them, and then have a marathon session in which you watch several in a row. This will make the multiple story lines easier to understand.
On the negative side, some of the scenes are a little gruesome to say the least, there is a lot of sex which may turn off some viewers (even while it turns on others), and the plot is complex, with multiple story lines that I suspect will ultimately intersect, but which can be burdensome to keep up with at this early stage. And of course, many people find Diane Kruger's Detective Cross a little disconcerting.
Personally I like the discomfort this show brings. I also like not having another one in an endless stream of attractive bouncy policewomen detectives. Co-creators Meredith Stiehm and Elwood Reid gave us another unusual female series star in Kathryn Morris's work in "Cold Case" (2003-2010), and that show was very memorable. So I'm prepared to stick with this one too. I give it an 8, which is probably more than it deserves at this point, but I think it has the potential to develop into a 10.
FWIW - If the multiple story lines confuse you, I suggest you record 3 or more shows before you watch them, and then have a marathon session in which you watch several in a row. This will make the multiple story lines easier to understand.
I watched the Danish version of the bridge and am a big fan. The premise of the American version HAD me really excited. The fact that they tried to copy exactly the Danish version was a complete disaster. Diane Kruger is horrible in this role. I don't doubt she has talent but they should have allowed for her to play the role in her own way instead of copying an unforgettable role that was already done (and done well).I had a hard time sitting through the 1st episode. Demian Bichir is the only redeeming quality in this show and might be the only reason I continue to watch. The female lead in the Danish version is extremely hard to pull off, so they shouldn't have even tried. I'm seriously saddened since I had high hopes for this show. Did no one watch the reels before putting them out for human consumption? Was there not a test audience?
SPOILER: Being intimately familiar with Asperger Syndrome (AS), I think it would be extremely difficult for an actor to play. Kruger did a reasonably good job in the first episode and I think that's actually why some people were turned off by her performance; AS is often characterized by the flat affect that she is exhibiting and it doesn't make for the kind of dynamic character that people are usually drawn to.
This show should spark a lot of discussion and raise awareness of AS. The plot piqued my interest and I'll definitely continue to watch.
(Note to director: Shot of victim's eyes fading into headlights was cool!)
This show should spark a lot of discussion and raise awareness of AS. The plot piqued my interest and I'll definitely continue to watch.
(Note to director: Shot of victim's eyes fading into headlights was cool!)
People involved in creation of remakes or based on series / movies often forget that they don't have or need to do it in the first place if they don't possess the true material and right script / storylines for doing so, being capable to do justice to the often bright original version and its exclusive and right atmosphere.
We have a series that fails on all accounts in regard to the original, shouldn't have been named The Bridge and shouldn't have been (falsely) based on the awesomly successful Swedish-Danish version and production.
To wrap it up in one sentence, a forgettable series with latin vibes and culture, best put back on the shelves and have a restart of the nostalgic Bron/Broen.
We have a series that fails on all accounts in regard to the original, shouldn't have been named The Bridge and shouldn't have been (falsely) based on the awesomly successful Swedish-Danish version and production.
- It lacks the cold, rightly done, grimmy, menacing and dark atmosphere and vibe of the original
- It lacks the brilliant diamond-like play and portrayal of the original female lead investigator that won't be mimicked or surpassed for a long long time. With all respect, Diane Kruger doesn't pull off an epsilone of that.
- It lacks the very good cast and acting of the original
- It has an awful and bizarre opening sequence soundtrack, not being of interest and not contributing to the show
- It has a messed up script and story with lots of fillers, blood and (unsuccessful) violence depicting the American-Mexican mishmash
- To its credit: It has some good acting, mainly by Demián Bichir (Marco Ruiz) and Eric Lange (Kenneth Hastings)
- To its credit: It has some entertaining values letting it flow mindlessly before your eyes, episode by episode, until its jumbled ending
- To its credit: Very good for practising the Spanish language and idioms
To wrap it up in one sentence, a forgettable series with latin vibes and culture, best put back on the shelves and have a restart of the nostalgic Bron/Broen.
Storyline
Did you know
- TriviaShowrunner Elwood Reid said that they have a specialist 'autism consultant' (Alex Plank) for Diane Kruger's character, Sonia. He is on set and will comment on every script and episode.
- GoofsSonia's Bronco has Texas Exempt (Government Agency) plates. Since she owns it (it was her dead sister's) and it is not a department-owned vehicle, it would have normal civilian plates, not government plates.
- ConnectionsFeatured in Chelsea Lately: Episode #7.122 (2013)
- SoundtracksUntil I'm One With You
(Theme Song)
Written and Performed by Ryan Bingham
Courtesy of Axster Bingham Records
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- 더브릿지: 조각살인마
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- See more company credits at IMDbPro
- Runtime43 minutes
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- 16:9 HD
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