The untold story of the last days in the tragic times of Oscar Wilde, a person who observes his own failure with ironic distance and regards the difficulties that beset his life with detachment and humor.
In a cheap Parisian hotel room Oscar Wilde lies on his death bed. The past floods back, taking him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross, who tried and failed to save him from himself. Travelling through Wilde's final act and journeys through England, France and Italy, the transience of lust is laid bare and the true riches of love are revealed. It is a portrait of the dark side of a genius who lived and died for love.Written by
Beta Film GmbH
Directorial debut of Rupert Everett. Also marks as his first film screenplay. This was such a passion project for Everett that he tried to get the movie made for ten years, all the while rejecting other film roles so that he would remain available if the project was ever green-lit. See more »
Naples, 1897: in an argument, Bosie states that Oscar uses "pancake" makeup. Pancake wasn't invented until the 1930s, by Max Factor. See more »
This was an absorbing tale largely because I hadn't a clue about Wilde's last days. The acting was excellent, each actor delivering a completely believable naturalistic turn. Despite the great support acting if the lead, Rupert Everett ( almost unrecognisable) hadn't been so completely absorbing it could have been dire. He was remarkable, managing the multiple tones and moods Wilde goes through. A tale of sadness and joy and redemption. Such an interesting movie.
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