The untold story of the last days in the tragic times of Oscar Wilde, a person who observes his own failure with ironic distance and regards the difficulties that beset his life with detachment and humor.
In a cheap Parisian hotel room Oscar Wilde lies on his death bed. The past floods back, taking him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross, who tried and failed to save him from himself. Travelling through Wilde's final act and journeys through England, France and Italy, the transience of lust is laid bare and the true riches of love are revealed. It is a portrait of the dark side of a genius who lived and died for love.Written by
Beta Film GmbH
Director Rupert Everett had written promises from his friends Colin Firth and Emily Watson that they would participate in this film if he ever got it made. Even when Firth became famous and his busy schedule made it unsure if he would be able to keep his promise, Everett got people to participate by stating that Firth had already signed on. See more »
Naples, 1897: in an argument, Bosie states that Oscar uses "pancake" makeup. Pancake wasn't invented until the 1930s, by Max Factor. See more »
I hope Rupert Everett will get all possible awards (Like I hoped for 3 Billboards last year :)
He played, directed and wrote the skript. Took 10 years. But the way its all done! I am in love. His first movie - like first love - raw and real and true and deeply personal. And no fashionable, self-loving "make up" "adv commercial" reality.
Watch on big screen. And last words on black screen will put everything in even bigger prospective.
P.S. You will not recognize him, though he is playing with no prosthetics.
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