The untold story of the last days in the tragic times of Oscar Wilde, a person who observes his own failure with ironic distance and regards the difficulties that beset his life with detachment and humor.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
The incredible story of amateur sailor Donald Crowhurst and his solo attempt to circumnavigate the globe. The struggles he confronted on the journey while his family awaited his return is one of the most enduring mysteries of recent times.
In a cheap Parisian hotel room Oscar Wilde lies on his death bed. The past floods back, taking him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross, who tried and failed to save him from himself. Travelling through Wilde's final act and journeys through England, France and Italy, the transience of lust is laid bare and the true riches of love are revealed. It is a portrait of the dark side of a genius who lived and died for love.Written by
Beta Film GmbH
Cuthbert Dunne (1869.10.4-1950) is played by 70 year old Tom Wilkinson. See more »
With no warning, I was transferred one afternoon from Wandsworth to Reading Gaol. In broad daylight, by train, shackled to a warder like a performing bear. That journey was the most exquisite of the tortures Her Majesty contrived for me. At Clapham Junction we had to wait for a connection. Half an hour, my dears, on platform two. Sadly, my public had not forgotten me.
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During the end credits Oscar Wilde is heard and seen singing a French song in a cafe. Then there are flashbacks of audiences applauding his works in a theatre. See more »
If you are an admirer of Rupert Everett, you must see this film. if you are one of admirers of Oscar Wilde , you must see this film. I admit, I am both. Oscar Wilde was one of familiar names across my childhood for his tales. at first moment, I saw the title of film and the suggestion than it represents an adaptation of the tale with same title was the first temptation. Rupert Everett was a discover from the "90 's . and one who I admire role by role. so, ambiguous expectations , tensioned in part. from the actor. but, more, from the director. and "The Happy Prince" was the perfect answer to each of expectations. I saw it with not real comfortable feelings. because the adaptations of Oscar Wilde life are many and, for me,Stephen Fry was the ideal Oscar Wilde. I discovered the film after I was read the last lines of Peter Ackroyd "The last testament of Oscar Wilde". and I discovered seeng the film not only the images of book, but the subtle and precise and seductive force of Rupert Everett talent, not exactly a revelation but a clear win in a not comfortable battle. I discovered the traits of Constance Hollande in the fine and nuanced and wise performance of Emily Watson. and a Bossie who give to me confirmation about the art of Colin Morgan. after its end, an only thought - the director could be better. the lead actor did an admirable work. and the cinematography is real great. so, "The Happy Prince".
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