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The Magnificent Seven (2016)

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Seven gunmen in the old west gradually come together to help a poor village against savage thieves.

Director:

Antoine Fuqua

Writers:

Akira Kurosawa (based on the screenplay by), Shinobu Hashimoto (based on the screenplay by) | 3 more credits »
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533 ( 76)
5 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Denzel Washington ... Chisolm
Chris Pratt ... Josh Faraday
Ethan Hawke ... Goodnight Robicheaux
Vincent D'Onofrio ... Jack Horne
Byung-Hun Lee ... Billy Rocks
Manuel Garcia-Rulfo ... Vasquez
Martin Sensmeier ... Red Harvest
Haley Bennett ... Emma Cullen
Peter Sarsgaard ... Bartholomew Bogue
Luke Grimes ... Teddy Q
Matt Bomer ... Matthew Cullen
Jonathan Joss ... Denali
Cam Gigandet ... McCann
Emil Beheshti ... Maxwell
Mark Ashworth ... Preacher
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Storyline

Director Antoine Fuqua brings his modern vision to a classic story in The Magnificent Seven. With the town of Rose Creek under the deadly control of industrialist Bartholomew Bogue, the desperate townspeople employ protection from seven outlaws, bounty hunters, gamblers and hired guns. As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money.

Plot Summary | Plot Synopsis

Taglines:

Justice has a number.


Motion Picture Rating (MPAA)

: Rated PG-13 for extended and intense sequences of Western violence, and for historical smoking, some language and suggestive material | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Release Date:

23 September 2016 (USA) See more »

Also Known As:

Los siete magníficos See more »

Filming Locations:

Baton Rouge, Louisiana, USA See more »

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Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$34,703,397, 25 September 2016, Wide Release

Gross USA:

$93,432,655

Cumulative Worldwide Gross:

$162,526,238
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Chris Pratt's horse is named Jack, the same name as his son in real life. See more »

Goofs

Red Harvest says, "White man's food looks like dog food" in Tlingit, but the translation doesn't match."Dleit shawáat" means white woman. See more »

Quotes

Sam Chisolm: What we lost in the fire, we found in the ashes.
See more »

Crazy Credits

Part of the closing credits are a montage of the Magnificent Seven and their actor credits, which ends with a big red seven that contains the faces of the seven. The theme from The Magnificent Seven (1960) plays over this montage. See more »

Connections

Remake of The Magnificent Seven (1960) See more »

Soundtracks

Lucky Dan
Written by Joe E. Rand
See more »

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User Reviews

 
It had all the ingredients to be great but instead it is merely just "OK".
9 September 2016 | by trublu215See all my reviews

Antoine Fuqua's The Magnificent Seven is about as brazen as the cowboys it portrays. It is loud, visceral and action packed but lacks the necessary functions for it to be a truly great film. Despite Fuqua's most confident directing and Denzel Washington's excellent performance, the film ends up being as cluttered as the cast would suggest. When it all comes down to it, it is a matter of an overload of star power. While there have been films in the past that have had incredible casts and flourished, this film makes it feel as though the film is only big enough for one star. Chris Pratt is great as an alcoholic and incredibly ballsy gunslinger, Faraday, but he lacks any gusto to really command the screen as does most of the cast outside of Denzel Washington (someone who I can't say enough good things about here). It ends up feeling like these roles could have been played by anyone when it should have felt like these actor's owned these roles so much so that you can't imagine anyone else in it. Unfortunately that isn't the case here. Quite frankly, the only performances worth noting are Washington and Peter Sarsgaard, who gives a devilishly good performance as a sadistic law man. In this respect, the film is very much a disappointment for anyone expecting to see the next great ensemble film of the year. More importantly, those of you who were excited to see the re-teaming of the Training Day squad (Washington, Hawke and Fuqua) will have to wait a bit longer for that because there is barely any chemistry between Ethan Hawke's Goodnight Robicheaux and Washington's Chisolm. The screenplay, written by True Detective's Nic Pizzolatto and action aficionado, Richard Wenk is lackluster to say the least. As I said, the character development with the characters is either not there or so forced and unnatural that it takes you out of it. After the abysmal season 2 of True Detective and this, I think is safe to say that Pizzolatto is turning into the one hit wonder that everyone feared that he would be. However, I will still hold off on officially saying that about him because there are some ideas that were introduced in the film that were really interesting which is why it is all the more frustrating when they are cast aside and never touched upon again. The screenplay is the big problem here. It is well paced but emotionally hollow. It never really reaches anywhere near the heights of the Kurosawa masterpiece or even the 1957 remake that that film spawned. In this case, the script reads and sounds like a bad imitation. Despite this, The Magnificent Seven does boasts some pretty exceptional action set pieces much to Fuqua's credit. The film is explosive but it is highly predictable. Those who are killed don't really resonate with the viewer because quite honestly, we don't care about any of the characters outside of Washington. They are mere footnotes to the larger picture which is a monumental disappointment. Overall, I thought that Antoine Fuqua's The Magnificent Seven boasted a great idea and never truly capitalized on it. The film felt like it really could have been something but we are left holding on to the idea of what could have been.


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