A father is without the means to pay for his daughter's medical treatment. As a last resort, he partners with a greedy co-worker to rob a casino. When things go awry they're forced to hijack a city bus.
Robert De Niro,
Jeffrey Dean Morgan,
A mafia boss and his family are relocated to a sleepy town in France under the witness protection program after snitching on the mob. Despite the best efforts of FBI Agent Stansfield (Tommy Lee Jones) to keep them in line, Fred Manzoni (Robert De Niro), his wife Maggie (Michelle Pfeiffer) and their children Belle (Dianna Agron) and Warren (John D'Leo) can't help but revert to old habits and blow their cover by handling their problems the "family" way, enabling their former mafia cronies to track them down. Chaos ensues as old scores are settled in the unlikeliest of settings.Written by
When Fred Blake/Giovanni Manzoni (Robert De Niro) begins writing his novel, his voice-over is heard over black and white stock footage of Rudolph Valentino's funeral, including a shot of Adolph Zukor, Douglas Fairbanks, Sr., Charlie Chaplin, and other famous film artists as the pallbearers. See more »
Fred Blake talks to M. Chambard who is lying on the road. In some camera shots M. Chambard's hands are over his chest. When viewed from behind, his hands are on the ground. See more »
Have you ever noticed the number of things dad is capable of expressing just with the word "fuck"?
Trying to say dad is illiterate?
No, I mean he's a good old boy, so you know he talks to be understood, not just to sound good. So from him a "fuck" would mean "holy shit, what did I just get myself into," or "great pasta," or "I'm gonna get that guy for that." So, why do a guy like that need to stay up all night writing? He could already express the entire range of human emotions, with a single ...
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At the beginning, the words "father", "mother", "son" and "daughter" are shown and intersected. Some of the letters vanish, and the remaining ones spell the film's title. See more »
I vaguely remember when this movie was in the cinemas. I didn't go see it and I didn't even see a trailer, but I remember seeing the poster on the wall at the theater. Once it was up on Netflix, I wanted to see it.
I was expecting some kind of weird mixture between crime drama and a "unusual family" comedy like the Addams Family and We're The Millers. Not the best examples but they are the first ones I can think of. The Family wasn't exactly close to my expectation. The Family is way more refreshing the way it is. Still, it's hard to say what is the main type of this film. It's partially a comedy, it's hilarious and clever and all that. But then again it seems like a deep drama, because it's about a family who is trying to adjust to the new situation, and everyone is facing their own challenges. But of course it's also a crime thriller.
While it's hard to say which one of these mostly defines the movie, the thing is, the elements of all those types are used so wonderfully, that as the story goes on, it doesn't matter. The story and the characters are intriguing and it's exciting to see what is going to happen. That shows what an excellent writer Tonino Benacquista is. While I don't know the differences between his book and the screenplay by Besson and Caleo, but I'm guessing his Benacquista's writing involved a lot of the stuff I loved about this movie.
The Family is intriguing, thrilling and fun. It has excellent casting and excellent writing. While this movie doesn't really stand out, it's not astounding in anyway, it's still a good film and definitely worth seeing.
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