A mafia boss and his family are relocated to a sleepy town in France under the witness protection program after snitching on the mob. Despite the best efforts of CIA Agent Stansfield (Tommy Lee Jones) to keep them in line, Fred Manzoni (Robert De Niro), his wife Maggie (Michelle Pfeiffer) and their children Belle (Dianna Agron) and Warren (John D'Leo) can't help but revert to old habits and blow their cover by handling their problems the "family" way, enabling their former mafia cronies to track them down. Chaos ensues as old scores are settled in the unlikeliest of settings.Written by
The book on which this film is based on had a sequel, Malavita Again, published in 2008. See more »
In the supermarket, Maggie hears the the shop keeper say:
"...Ils mangent des hamburgers matin midi et soir..."
which translates as:
They eat burger morning, noon and night.
However, it is translated on screen as:
"...They eat burgers for breakfast, lunch and dinner..."
which would be:
"...Ils mangent des hamburgers pour le petit déjeuner, le déjeuner et le dîner..." See more »
I have something that I'd like you to solve: What's more beautiful than life itself... devours you inside... makes you laugh and cry all day... and makes you do anything... anytime... any place?
See more »
At the beginning, the words "father", "mother", "son" and "daughter" are shown and intersected. Some of the letters vanish, and the remaining ones spell the film's title. See more »
New York, I Love You But You're Bringing Me Down
Written by James Murphy (as James Jeremiah Murphy)
Performed by LCD Soundsystem
Published by Guy with Head and Arms Music Adminstered by Kobalt Music Publishing
Copyright 2007 DFA LLC
With Courtesy of EMI Music France See more »
I vaguely remember when this movie was in the cinemas. I didn't go see it and I didn't even see a trailer, but I remember seeing the poster on the wall at the theater. Once it was up on Netflix, I wanted to see it.
I was expecting some kind of weird mixture between crime drama and a "unusual family" comedy like the Addams Family and We're The Millers. Not the best examples but they are the first ones I can think of. The Family wasn't exactly close to my expectation. The Family is way more refreshing the way it is. Still, it's hard to say what is the main type of this film. It's partially a comedy, it's hilarious and clever and all that. But then again it seems like a deep drama, because it's about a family who is trying to adjust to the new situation, and everyone is facing their own challenges. But of course it's also a crime thriller.
While it's hard to say which one of these mostly defines the movie, the thing is, the elements of all those types are used so wonderfully, that as the story goes on, it doesn't matter. The story and the characters are intriguing and it's exciting to see what is going to happen. That shows what an excellent writer Tonino Benacquista is. While I don't know the differences between his book and the screenplay by Besson and Caleo, but I'm guessing his Benacquista's writing involved a lot of the stuff I loved about this movie.
The Family is intriguing, thrilling and fun. It has excellent casting and excellent writing. While this movie doesn't really stand out, it's not astounding in anyway, it's still a good film and definitely worth seeing.
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