Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.
In an adaptation of Patricia Highsmith's seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.Written by
The Weinstein Company
In the Ritz Tower Hotel restaurant scene near the end, Carol is inside a telephone booth finishing a call and when she exits sees that Therese has arrived and taking her place at their table. A camel-color coat is draped over one chair. As Carol approaches the table from behind Therese you see two glasses filled with water, two cups, a carafe, and a dish with pastries. An unfolded cloth napkin lies on the table across from Therese. Carol then sits on the chair with the coat and puts her purse down on the empty chair next to her. The table service and unfolded napkin shows that Carol arrived earlier, took off her coat, placed an order, waited for Therese, then went to make a phone call.
Incorrect continuity "goof":
Near the end, Carol walks up to Therese's table with purse in hand and sits down with coat already on the back of her chair. See more »
After you read the novel, your expectations about its adaptation are not small. The lead actresses are a good promise . But is it enough ? No doubts, yes. Because, for me, it is more than inspired adaptation of a good book. It is a gem, from performances to elegance, atmosphere, flavors and tension, from grace to bitterness. Rooney Mara and Cate Blanchett are the best options and you know that if you read, again, the book. It is a love story but it becomes, scene by scene, more. Maybe, a sort of confession. About a world, a meet, a clash and few people. And, not the last, in special manner, about yourself.
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