7.2/10
112,946
342 user 456 critic

Carol (2015)

Trailer
1:31 | Trailer
An aspiring photographer develops an intimate relationship with an older woman in 1950s New York.

Director:

Todd Haynes

Writers:

Phyllis Nagy (screenplay), Patricia Highsmith (novel)
Reviews
Popularity
1,730 ( 31)
Nominated for 6 Oscars. Another 77 wins & 240 nominations. See more awards »

Videos

Photos

Edit

Cast

Cast overview, first billed only:
Cate Blanchett ... Carol Aird
Rooney Mara ... Therese Belivet
Kyle Chandler ... Harge Aird
Sarah Paulson ... Abby Gerhard
Jake Lacy ... Richard Semco
John Magaro ... Dannie McElroy
Cory Michael Smith ... Tommy Tucker
Kevin Crowley ... Fred Haymes
Nik Pajic ... Phil McElroy
Carrie Brownstein ... Genevieve Cantrell
Trent Rowland ... Jack Taft
Sadie Heim ... Rindy Aird
Kk Heim ... Rindy Aird (as Kennedy Heim)
Amy Warner ... Jennifer Aird
Michael Haney Michael Haney ... John Aird
Edit

Storyline

In an adaptation of Patricia Highsmith's seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light. Written by The Weinstein Company

Plot Summary | Plot Synopsis

Taglines:

Some people change your life forever

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for a scene of sexuality/nudity and brief language | See all certifications »

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

The journalist in New York Times is the cameraman. See more »

Goofs

When Therese boards the NJ Transit train the announcement states one of the stops is "Secaucus Junction". The Secaucus Junction did not open until 2003. See more »

Quotes

Therese Belivet: What town is this again?
[the morning after they first made love]
Carol Aird: This? Waterloo.
[laughs]
Carol Aird: Isn't that awful?
See more »

Connections

Referenced in Northern Lights (2016) See more »

Soundtracks

Kiss of Fire
Performed by Georgia Gibbs
Written by Lester Allen (as Allen)/Robert Hill (as Hill)
Published by Universal/MCA Music Ltd.
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Operations Ltd.
See more »

User Reviews

 
Achingly tender romance about how love is a part of the human condition.
31 October 2015 | by Sergeant_TibbsSee all my reviews

It's an inevitability that Carol will face categorisation as an LGBT film, but that's not the limits of how it should be considered. It's simply a heartfelt and deeply human love story where the principle couple confronts insurmountable odds. In Carol's case, these obstacles are the prejudices of the time and culture they live in. The film frames this discrimination in a tangible and legal way, as the titular Carol is accused of a morally indecent lifestyle by her ex-husband in order to win custody of their daughter. The film isn't interested in being a courtroom drama though, instead focusing on the blossoming relationship between Rooney Mara's Therese and Cate Blanchett's Carol.

Todd Haynes is known for his heightened style that evokes the melodrama of Douglas Sirk, for instance. His 2002 film Far From Heaven feels plucked from the cinema of the 1950s. However, Carol is a film that feels plucked from the New York streets of the 1950s as the aesthetic here is surprisingly naturalistic. It doesn't quite breach a documentary-esque style with Edward Lachman's understated and pleasantly grainy cinematography, but it all comes organically and authentically with the elegant fashion of production and costume design and the atmosphere that its cold Christmas setting provides. It's a very restrained film – as there are only two particularly intimate scenes – but the film carries an air of sexual and romantic tension throughout.

As Carol, Cate Blanchett challenges her polar opposite and equally excellent work with Haynes as a Bob Dylan incarnation in I'm Not There here. By nature of the film's structure, the first half is in the perspective of Therese and the second focuses on the perspective of Carol. There's an interesting inaccessibility about Blanchett in the first half that draws you into Therese's infatuation. Mara, one of the most promising actresses of this decade since her small memorable part in The Social Network, uses her own reserved detachness – something she's been frequently criticised for – to her own advantage. To watch someone like Therese open up after being so repressed is thoroughly cathartic.

However, Blanchett whips the film from under her feet in the second half. She litters the first half of the film with nuanced hints and clues to her past desires, also communicating so much with very little. She's elusive, but Mara is a key source of intrigue at that point due to the honesty in her performance and unexpected dry wit. Once Carol is struggling to deal with her own internal conflicts, Blanchett is on fire and burns the house down with her ultimate rebuttal of the accusations against her. Kyle Chandler, her suffering husband soon to be ex-husband, shows such painful anguish in his brief outbursts. It's a measured performance that anchors the film and the stakes of the relationships. Every performance of the ensemble – from extras to bit parts – are delivering among their finest work.

It's an all-rounder in terms of Oscar-contention, with Haynes perhaps being a more likely bet for Best Director than the film is for Best Picture. Blanchett has won too recently but if Weinstein works his magic, Mara would be a strong contender in either leading or supporting. Phyllis Nagy will certainly duel with Aaron Sorkin in Best Adapted Screenplay, even if her work is more patient, while the production and costume design ought to destroy competition. A sure bet should be Carter Burwell for his beautiful score that sunk my chest with its few powerful notes. It's an achingly tender film that will be timeless, even if it doesn't resonate with everyone with such specificity. Carol shouldn't just be a statement for our time and a condemnation for past mistakes, it's a demonstration that love is a part of the human condition regardless of sexuality.

8/10


111 of 155 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 342 user reviews »

Frequently Asked Questions

See more »
Edit

Details

Official Sites:

Official Facebook | Official site | See more »

Country:

UK | USA | Australia

Language:

English

Release Date:

15 January 2016 (USA) See more »

Also Known As:

The Price of Salt See more »

Filming Locations:

Cincinnati, Ohio, USA See more »

Edit

Box Office

Budget:

$11,800,000 (estimated)

Opening Weekend USA:

$253,510, 22 November 2015

Gross USA:

$12,711,491

Cumulative Worldwide Gross:

$40,272,135
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »

Contribute to This Page

We've Got Your Streaming Picks Covered

Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.

Visit our What to Watch page



Recently Viewed