Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
In an adaptation of Patricia Highsmith's seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.Written by
The Weinstein Company
Rooney Mara (Therese Belivet) coincidentally has the same first name as the author of Carol (Patricia Highsmith). Her full name is Patricia Rooney Mara. Highsmith created the character of Therese from her own life experiences. See more »
In the projection room scene, the projectionist is seen smoking in close proximity to the projector. The print of Sunset Blvd. would most likely have been nitrate film which was extremely inflammable! Smoking in a projection room would have been a sackable offence as well as an appalling risk. See more »
[while driving back to Chicago]
What are you thinking? You know how many times a day I ask you that?
Sorry. What am I thinking? I'm thinking that I'm utterly selfish.
Don't do this. You had no idea. How could you have known?
And I should have said "No" to you but I never say "No". And it's selfish because... because I just take everything and I don't know anything. And I don't know what I want. How could I when all I ever do is say "Yes" to everything?
[turns head and cries]
[...] See more »
Why Don't You Believe Me
Performed by Patti Page
Composed by Lew Douglas/Luther King Laney/Leroy Rodde
Published by Music Sales Corporation
Courtesy of Music Sales Creative
Published by Universal Music Publishing Ltd.
Courtesy of Mercury Nashville
Under license from Universal Music Operations Ltd. See more »
I loved this film for the subtleties. Lots of lingering, carefully framed shots and closeups. Lots of quiet scenes. Lots conveyed through looks and innuendo.
Rooney and Cate captured what it's like to be nervous yet excited while falling in love. It felt real. It felt like two people unsure of themselves, offering up just a bit of their true feelings at a time and waiting for the other person to do the same before revealing more.
Kyle Chandler's performance hasn't been commented on as much as the leads, but he was just as excellent. He played the part of tortured husband well without coming off as a mere villain. I sympathized with him and even understood where he was coming from.
I thought the film captured the time period in a very unique way. Nothing was overtly flashy or Normal Rockwell 50s, and at times it even felt gritty compared to most depictions of the era, but it was really beautiful.
The film stayed with me on the ride home, and I drove in silence while I reflected on it. That's how I judge a movie. If you are the type that loves character driven films, I'd very much recommend it. If you don't handle slow burn movies well, it might not be for you.
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