Held captive by a circus, Malu is frantically rescued from her shackles by her husband. As she waits anxiously in the darkness for her chance to escape, a disturbing truth she's hidden away seeps back in.
A masochistic cop, who hides her predilection from her cop husband, gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini, who has kidnapped a rich woman and has buried ... See full summary »
Vulgar, brash and loud, Dom Hemingway has just been released from prison after serving twelve years for his crime as a safe-cracker working for Ivan Fontaine, who Dom's best friend and associate Dickie Black calls one of the most dangerous men in Europe. Dom left the employ of Lestor McGreevy, a man he generally disliked, to work for Fontaine. Dom could have easily plea bargained with the authorities to give up information on Fontaine for a reduced sentence, he not doing so which resulted in he never again seeing his wife Katherine who died of cancer while he was in prison, and now being estranged from his young adult daughter Evie who sees his choice as his priority of Fontaine over her and her mother. For his silence and giving up twelve years of his life, Dom believes Fontaine owes him and owes him big, and with Dickie by his side, tries to track down Fontaine for that payment. Despite his encounter with a young new ageist woman named Melody, his actions which she vows will lead to...Written by
In order to gain weight for his appearance in this film, Jude Law drank ten Coca-Colas a day. See more »
When they fly in slow motion (the car accident) the prosthetic hand leaves the screen from the right side and after a couple of frames it enters the screen from the left side. See more »
See, there is a part of me that wants to put you in the trunk of my sister's Prius, drive you up to Canvey Island and bury you up to your thick fucking neck, cover your fat fucking face in hamburger patties and let the creatures of the night eat you to death while I watch.
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Dom Hemingway is trying to add something new to the heritage of the great gangster-comedies of Guy Ritchie and Martin McDonagh, but it's trying too hard, and eventually it fails. Every scene is trying to be more bizarre and shocking than the last one, but they're rarely funny. The dialogues want to be witty and to be remembered, but actually they're just over-the-top curses and insults by the characters. Dom Hemingway (played amazingly by Jude Law) is not a hero, but also not an anti-hero: he's just a pathetic man who's getting drunk and high for the most part of the movie. They're waiting too long to add some dramatic depth to his character.
It has a couple of funny moments, but this movie is just too forced to be naturally funny. If you want to watch a film with a similar mood, but done better, I would recommend Filth for you.
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