Libby Day was only eight years old when her family was brutally murdered in their rural Kansas farmhouse. Almost thirty years later, she reluctantly agrees to revisit the crime and uncovers the wrenching truths that led up to that tragic night.
A fictionalized account of the first major successful sexual harassment case in the United States, Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
From the roaring 1920s to the ruinous Spanish Civil War and Adolf Hitler's rise into power, the lives of an Irish schoolteacher, a provocative heiress and her Spanish muse are intricately interlaced, sharing the same destiny and passion.
Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she's still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.
Libby Day is a lifeless woman who survived the massacre of her family in their farmhouse in the countryside of Kansas when she was eight. She's been living on donations and lectures ever since. Thirty years ago, the police believed that a satanic cult was responsible for the murder of her mother and two sisters, and her brother Ben was convicted with her testimony in court. Today, however, an acquaintance, Lyle Wirth, invites Libby to visit "The Kill Club", where amateurs investigate famous crimes, and she finds that they believe Ben is innocent. Libby needs money and, in return, accepts to revisit the slaughter of her family and comes up to the painful revelations and the ultimate truth.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Young Ben is on the witness stand, the Kansas flag is on his right and the U.S. flag is on his left. By law, the U.S. flag should be on the flag's own right (the observer's left) and any other flag on the observer's right. See more »
I was not a lovable child, and I'd grown into a deeply unlovable adult. Draw a picture of my soul, and it'd be a scribble with fangs.
See more »
I didn't care much for Gone Girl -- maybe it was Ben Affleck -- but I was drawn to this movie despite that. Maybe it was Charlize Theron, maybe it was Nicholas Hoult, whom I have enjoyed watching grow into a first rate actor since his days in Skins. In any case, whatever reservations I had at first rapidly dissolved into a distant memory as the first ten minutes passed.
Usually I roll my eyes at flashback-driven efforts, but not so with Dark Places. Each switch back to 1985 is like the tumblers on a lock giving that satisfying click as you pick it, breeding anticipation and certainty that there is a rich reward at the end for your efforts, every scene evoking a subtle revelation that drives the story onward.
Well cast, well scored, well directed, Dark Places deserves more recognition than it has garnered. If I had to point out one flaw, it would be a forgivable one; MISFITS swag was not that easy to come by in 1985.
27 of 37 people found this review helpful.
Was this review helpful to you?
| Report this