Adventurer James Keziah Delaney returns to London during the War of 1812 to rebuild his late father's shipping empire. However, both the government and his biggest competitor want his inheritance at any cost - even murder.
Elliot, a brilliant but highly unstable young cyber-security engineer and vigilante hacker, becomes a key figure in a complex game of global dominance when he and his shadowy allies try to take down the corrupt corporation he works for.
Naz is a strait-laced Pakistani-American student who is off to a must-attend party on a Friday night. His only available transportation being his father's taxi cab, Naz sets off into Manhattan. But his party-going plans are quickly forgotten when a mysterious young woman jumps aboard in need of a ride. Charmed by her intense intrigue and good looks, Naz gets swept up by her pressures. After a mind-altering night of drugs and passion, the woman is dead, and Naz finds himself in the crosshairs of a gruesome murder investigation, panicked and shaken, but possibly with a trace of doubt as to his own innocence.Written by
The UK's Criminal Justice (2008) season one stars actor Ben Whishaw; The Night Of is based upon this original series. Michael Braun and Bill Camp, who are in The Night Of, co-star with Ben Whishaw in the 2016 Broadway revival of Arthur Miller's The Crucible. See more »
Just about everything related to inmate security in Rikers Island and court holding cells is wrong. As an accused murderer, Khan would only be out of handcuffs while in a jail cell, he would not be mixed in with inmates charged with lesser crimes, he would absolutely not be led in to a "family funday" visitation meeting with other inmates and their families; he would not be uncuffed during arraignment. See more »
What struck me after watching the first episode of "The Night Of" is that this is a story that has been told on countless iterations of "Law and Order". The difference is the luxury of not having to tell it in 40 minutes and the bringing to bear of HBO's prodigious production values combined with a first-rate cast of mostly little-known actors.
The portrayal of the police is unlike anything I've seen before: annoyance about working past the end of a shift, the passing of the buck so someone else gets a case that will doubtless go into the wee hours of the morning, the careless handling of evidence due to available manpower. Here the police are neither heroes nor villains, rather they're just working men and women doing a job.
The atmosphere of the precinct house in the middle of the night is palpable as is the overwhelming sense of helplessness felt by the naive lead character as his night goes from bad to worse. John Torturro's portrayal of a low rent defense attorney who stumbles onto a case much bigger than he imagined holds great promise for future episodes.
As I said at the beginning, it's hardly a story we've not seen before but we've never seen it told this well. I look forward to watching it develop.
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