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The Homesman (2014)

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2:19 | Trailer
Three women who have been driven mad by pioneer life are to be transported across the country by covered wagon by the pious, independent-minded Mary Bee Cuddy, who in turn employs low-life drifter George Briggs to assist her.

Director:

Tommy Lee Jones

Writers:

Tommy Lee Jones (screenplay), Kieran Fitzgerald (screenplay) | 2 more credits »
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4,198 ( 1,131)
5 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tommy Lee Jones ... George Briggs
Hilary Swank ... Mary Bee Cuddy
Grace Gummer ... Arabella Sours
Miranda Otto ... Theoline Belknap
Sonja Richter ... Gro Svendsen
Jo Harvey Allen ... Mrs. Polhemus
Barry Corbin ... Buster Shaver
David Dencik ... Thor Svendsen
William Fichtner ... Vester Belknap
Evan Jones ... Bob Giffen
Caroline Lagerfelt ... Netti Svendsen
John Lithgow ... Reverend Alfred Dowd
Tim Blake Nelson ... Freighter
Jesse Plemons ... Garn Sours
James Spader ... Aloysius Duffy
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Storyline

Three women who have been driven mad by pioneer life are to be transported across the country by covered wagon by the pious, independent-minded Mary Bee Cuddy, who in turn employs low-life drifter George Briggs to assist her.

Plot Summary | Add Synopsis

Taglines:

The untold story of The West.

Genres:

Drama | Western

Motion Picture Rating (MPAA)

Rated R for violence, sexual content, some disturbing behavior and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | France

Language:

English | Danish

Release Date:

18 May 2014 (France) See more »

Also Known As:

Deuda de honor See more »

Filming Locations:

New Mexico, USA See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$45,433, 16 November 2014

Gross USA:

$2,429,989

Cumulative Worldwide Gross:

$3,819,421
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Mr. Carmichael of the Iowa pleasure house says - in the DVD closed captioning - to George Briggs at the gambling table, "Bank of Loup went bust. Happens all the time to South buster banks in the territory [at 1:50:55]." From the film sound track, one easily hears the correct words, "sodbuster banks". Sodbuster is a disparaging slang term for a farmer. See more »

Goofs

During the Indian attack, every shot of the carriage has mountains in the background. The road from Nebraska to Iowa is nowhere near any mountains. See more »

Quotes

[first lines]
Mary Bee Cuddy: [prodding plow horses] Come on, girls.
See more »

Connections

Referenced in Film 2017: Episode dated 19 November 2014 (2014) See more »

Soundtracks

Flow Gently, Sweet Afton
Music & Lyrics by Robert Burns
Arranged by Austin Leonard Jones
Performed by Lela Rose Allen and Sachie Capitani
See more »

Frequently Asked Questions

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User Reviews

 
Tommy Lee Jones stars, writes, directs, produces & astounds in this journey through trust & the Wild West. Splendid!
3 December 2014 | by TheSquissSee all my reviews

I need to get something off my chest: I'm not a fan of Tommy Lee Jones. I find him limited in range, much the same in most roles and, worst of all, he inexplicably won the Best Supporting Actor Oscar for The Fugitive, thus depriving Pete Postlethwaite for In the Name of the Father, Leonardo Di Caprio for What's Eating Gilbert Grape and Ralph Fiennes for his performance of pure evil as Amon Goeth in Schindler's List. In modern parlance, WTF?

But periodically, just occasionally, once in a while, he inhabits the screen in a manner that forces one to reconsider one's judgment. And so it is with The Homesman.

The Homesman is something of a surprise, and not just because Tommy Lee Jones is on remarkable form in it. Beyond a fine performance, the man writes, directs and co-produces it. Hell's bells, when did he become so damn good at everything?

In the bad old days of the pioneers in the Wild West, Mary Bee Cuddy (Hilary Swank) steps in when three women drift into various states of madness and need to be transported across the country to be cared for properly. Shunned by their husbands, denied help from the town's menfolk and at a time where rape and murder hides behind every outcrop of rock and every gnarled cactus, Cuddy sets off alone on her hazardous journey. She stumbles across George Briggs (Tommy Lee Jones), a drifter seated atop his horse, with a noose around his neck, waiting for his steed to grow bored and leave him hanging. Literally. Cuddy offers to save him on the condition that he accompanies her and so begins a particular kind of journey.

The Homesman is probably described by many as a western, but that's lazy. This is a road movie on horseback, a saunter across the plains, a journey through mistrust and emotions where a mistake or misplaced trust will result in death. It is a story of hope and love, not the romantic kind, but real love for one's fellow human being, regardless of whether they can, or will, reciprocate.

Shot beautifully with sprawling, dusty vistas that warm the heart and prickle the nape, the backdrop is a vast canvas of character and mystery upon which splashes of colour are smeared in the shape of wandering, human dangers.

Though they say little, the trio of women (Grace Gummer, Miranda Otto and Sonja Richter) are far more than peripheral characters or the MacGuffin; they are the substance that binds The Homesman and the reason for the drama, gentle though it is. As we saw in Mr. Turner, such characters can so easily become pantomime animals with over performance that slaps the viewer in the face and detracts from the whole, of which they are but a small part. Not so here. Grace Gummer, particularly, as the mostly mute but vacantly animated Arabella is terrific and we want to reach into the screen and gently push her back towards sanity. It is a beautiful, understated performance that remains in mind long after the event.

Tommy Lee Jones and Hilary Swank make a surprising double act but the chemistry is there in abundance. Both Cuddy and Briggs carry their own needs and daemons with them; neither would give the other a second glance ordinarily but circumstance prompts odd, emotional couplings and theirs is fraught with suspicion and obligation. It is fantastic to see Swank back to the form that brought her gongs and made us sit up and watch in Boys Don't Cry and Million Dollar Baby. This is a far less demonstrative performance, but no less steely or impactful because of it.

Tommy Lee Jones's performance is the most compelling, engrossing that I can recall. Beyond that, his direction is worth celebrating loudly. The Homesman is only his second feature as director (after 2006's wonderful but little seen The Three Burials of Melquiades Estrada) but there are hints that he may step into Clint Eastwood's shoes alongside Ben Affleck and Sean Penn. Just when we think we have the measure of this tale, he belts us sharply around the jowls, proving he has the mettle to surprise and shock us out of our complacency.

Maybe, after years and years of apparently coasting, broodily on film and staring into space, it will transpire he was merely absorbing, waiting for the moment to own both sides of the screen and captivate us.

You know what, maybe he's always been this good but I just didn't see it.

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