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Mudbound (2017)

R | | Drama, War | 17 November 2017 (USA)
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2:13 | Trailer
Two men return home from World War II to work on a farm in rural Mississippi, where they struggle to deal with racism and adjusting to life after war.

Director:

Dee Rees

Writers:

Virgil Williams (screenplay by), Dee Rees (screenplay by) | 1 more credit »
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Popularity
2,332 ( 164)
Nominated for 4 Oscars. Another 31 wins & 108 nominations. See more awards »

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Cast

Credited cast:
Jonathan Banks ... Pappy McAllan
Carey Mulligan ... Laura McAllan
Garrett Hedlund ... Jamie McAllan
Jason Clarke ... Henry McAllan
Dylan Arnold ... Carl Atwood
Jason Mitchell ... Ronsel Jackson
Kerry Cahill ... Rose Tricklebank
Mary J. Blige ... Florence Jackson
Kelvin Harrison Jr. ... Weeks
Rob Morgan ... Hap Jackson
Lucy Faust ... Vera Atwood
David Jensen ... Conductor
Geraldine Singer ... Laura's Mother
Rebecca Chulew ... Pedestrian
Frankie Smith ... Marlon Jackson
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Storyline

In the aftermath of WWII, somewhere in the muddy Mississippi Delta, two families--one black, the Jacksons, and the other white, the McAllans--are forced to share the same patch of land, keeping a frail race-based peace with each other. However, as they both struggle with hardship and dire poverty, the long-awaited return of two war veterans--Ronsel, the Jacksons' eldest son, and Jamie, Henry McAllan's younger brother--will unexpectedly nurture a budding friendship that transcends prejudice and race. But, in the end, against a backdrop of fevered Mississippi sunsets and vitriolic racism, life can be hard when the law of the land is still segregation and hatred. And then, no one can be safe. Written by Nick Riganas

Plot Summary | Plot Synopsis

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for some disturbing violence, brief language and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 November 2017 (USA) See more »

Also Known As:

Mudbound: El color de la guerra See more »

Filming Locations:

Vacherie, Louisiana, USA See more »

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Box Office

Cumulative Worldwide Gross:

$117,344
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Mary J. Blige's experience going through her divorce from Kendu Isaacs fueled the hurt and heaviness in her performance in the film. See more »

Goofs

When Jamie comes home from the war, a package of Lucky Strike "Green" is visible on the table. Lucky's packaging was switched to white in 1942; even in the middle of nowhere, there's no way a three-year-old package of cigarettes would not have been consumed, especially with rationing. See more »

Quotes

[first lines]
Jamie McAllan: [in a hole digging]
Henry McAllan: You better get a hurry along. We ain't gonna make it.
[mopping his brow]
Henry McAllan: Oh, we will. We have to.
[sighs]
Henry McAllan: Take a break. Come on. My turn.
Jamie McAllan: "We will. We have to."
Jamie McAllan: [narrating] That was my brother, Henry. Absolutely certain whatever he wanted to happen would.
See more »

Connections

Featured in 24th Annual Screen Actors Guild Awards (2018) See more »

Soundtracks

One Morning Soon
Written and Performed by Dr. C.J. Johnson
Courtesy of Savoy Records
a division of Malaco Records, Inc.
See more »

Frequently Asked Questions

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User Reviews

 
"Mud" happens... but it can also create the most unexpected and inspiring bonds...
20 November 2017 | by ElMaruecan82See all my reviews

Racism, war, violence, female solidarity … however relevant these subjects are, they seem rather exhausted on a cinematic level especially when the Awards season starts.

Indeed, on the simple basis of its trailer, one would believe that "Mudbound" is simply Netflix making its "Color Purple", "Mississippi Burning" or "12 Years a Slave". Maybe. But there is something fresh and original in Dee Rees' adaptation of Hillary Jordan's novel and it's a considerable achievement that owes a lot to the writing, the directing and the unusual structure and patient pace of the film. Sure it is a companion to all the movies I mentioned but it has a sort of haunting quality, something that sticks to your mind and dwarfs a rather good film like "The Help".

What is "Mudbound" about? That's not an easy question to answer, a few negative critics pointed out the film's lack of focus because it's a multi-character story and there's no lead or supporting roles at first stance, just as they criticized the overuse of voice-over. I didn't mind the voice-over much, the story is so complex and multi-layered that I'd rather have a voice-over explaining things and make it my 'privilege' to pay or not pay attention to it. The lack of focus now is just a matter of half-empty or half-full glass. But here's a way to present the film in simpler terms. "Mudbound" is about two families, the McAllans (white) and the Jacksons (black) living in two neighboring farms in the Mississippi of the 40's.

Laura (Carey Mulligan) married Henry McAllan (Jason Clarke), less moved by love than a desire to escape from her "old maid" condition, and marital life made her feel relevant and important. Henry isn't the romantic type but no bad man either, and I was glad the movie didn't take one path I expected. No, it's not about that kind of abuse. The McAllans are a steady couple and the Jacksons form a united clan whose patriarch Hap (Rob Morgan) is the descendant of former slaves who worked on that same land, Hap's dreams is to own it in the future although he's not fooled by the worth of any act of property in that racist state. The Jacksons might strike as too 'virtuous' and taking very solemn poses but once you get drawn by the atmosphere and the hostility they constantly face, you realize that "disunion" couldn't be an option. Hap and his wife Florence (Oscar- worthy Mary J. Blige) can't afford the luxury of not being at least "happy together".

But the film doesn't venture yet in these unsafe territories; the tone is only set with the presence of Henry's father: Pappy McAllan, a bigoted racist played by Jonathan Banks and whom we suspect will act like a ticking bomb. Henry buys a farm and Laura follows him, circumstances of life will force Florence to work for the McAllans, but as long as these two families mind their own business, so to speak, nothing seem ready to create conflicts. Except for what sets up the second act of the film, the second World War. The merit of "Mudbound" is to paint notable differences at first until you realize that the two families have a lot more in common. This 'common denominator' is the core of "Mudbound": the bond between the two veterans of each family: Henry's brother Jamie (Garrett Hedlund) and Ronsel Jackson (Jason Mitchell). Here are two men who've seen hell in Europe, the things we expect and that are not overplayed, but they also lived the exhilaration of liberating countries and discovering a fraternity that transcends racial barriers.

"Mudbound" breaks a taboo seldom explored by the movies: the hypocritical treatment of Black soldiers. America takes pride for having liberated Europe but not to the point of questioning the internal "prisons", and this is the concealed wound the film tries to heal. Ronsel is the most complex of all the characters because he embraced his country's idealism and couldn't believe he wouldn't be rewarded for it. Jamie suffers from PTSD and finds in Ronsel the only man capable to understand him, "Mudbound" began like the stories of two women, Laura and Florence who were growing to understand each other, a sort of "Color Purple" of the 2010's, directed by a woman and with enough narrative to play like a feminist hymn, but no, this is a movie about two men, Ronsel and Jamie who grow to respect each other because they found in the mud of the battle-fight the universally human bond. You know what that movie truly reminded me of? "The Defiant Ones".

The image that immediately comes to mind from that Stanley Kramer's masterpiece of 1958 is Tony Curtis and Sidney Poitier as two ex-convicts chained together and escaping from the police. They hate each other, they still carry some bits of racism but the first display of solidarity happens when they're stuck in a deep pool of mud and must climb their way to the ground. Mud isn't just about dirt or about ground but can be a powerful metaphor of something uniting two men, a metaphor for an even dirtier stuff, when "natural enemies" discover they're equally worthless when put in the same 'mud'... unless they try to overcome it. "Mudbound" carries this image but it's less about 'mud' than it is about a color-blind "bound". The mud is either literal in the film or represented by the trauma of war… and also the suffering of women, while not the focus, "Mudbound" has a saying on that subject as well.

"Mudbound" is a proof that Netflix is becoming a major contender in the years to come, I don't know whether the film will meet with Oscar recognition but there should be some love to the haunting cinematography, the screenplay and Mary J. Blige should be a lock if Octavia Spencer and Viola Davis won for what I believe are lesser movies.


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