When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
Steve Rogers, a rejected military soldier, transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
Tony Stark creates the Ultron Program to protect the world, but when the peacekeeping program becomes hostile, The Avengers go into action to try and defeat a virtually impossible enemy together. Earth's mightiest heroes must come together once again to protect the world from global extinction.Written by
(at around 2h 10 mins) Falcon's costume, as seen at the end of this movie, is slightly different from Captain America: The Winter Soldier (2014). While it is still based primarily on his Ultimate Marvel counterpart, it now has a little bit of red and white coloring added to his flight suit, as a nod to his original red and white Falcon-themed costume from the mainstream comics. This became the standard costume design for the later Marvel movies in which Falcon appears. See more »
Around 1:20, when Captain America and Ultron are fighting on the truck, C.A. is thrown to the truck front. He spins around the windshield toward the drivers side door. In slow motion, what appears to be an arrow is sticking out of his chest is actually the harness that allows him to perform this feat. See more »
[the Avengers are in the process of infiltrating a HYDRA base in Sokovia]
Report to your stations immediately. This is not a drill. We are under attack!
[Tony hits the shield around the base]
Language! Jarvis, what's the view from upstairs?
The central building is protected by some kind of energy shield. Strucker's technology is well beyond any other Hydra base we've taken.
Loki's scepter must be here. Strucker couldn't mount this defense without it. At long last.
[...] See more »
SPOILER: There is a scene in the closing credits: Thanos puts on his Infinity Gauntlet, declaring he'll hunt for the Infinity Stones himself. See more »
Written and Performed by Gregory Porter
Courtesy of Universal Jazz France
Under license from Universal Music Enterprises See more »
The son of Megatron and Skynet meets Tony Stark and his Amazing Friends
In 2012, there came a day unlike any other day where the worlds greatest heroes were united against a common threat and THE AVENGERS blew away audiences of all ages with the first ever comic book movie crossover. In 2015, there came another day unlike any other day and this time the world is threatened by a Ultron, the cynical critical atypical child of Skynet and Megatron...... No actually he's just a wisecracking artificial intelligence with delusions of godhood and all round evil. Turning on his creators, he threatens all life on earth with his sidekicks "illusion- woman" and "not-the-flash"....I mean, Scarlet Witch and Quicksilver, and it is up to the Avengers to take him out before he can usher in THE AGE OF ULTRON.
Instead of the robot dominated dystopian future that we saw in the comics, what we do get is more "the next few days of Ultron". No matter, it is an exciting few days with director Joss Whedon balancing the intercharacter dynamics with awesome action pieces from claustrophobic close combat, to a freeway chase, to the much advertised no holds barred beat down between the Hulk and iron man's new "hulk buster" Armour. All this is supplemented with beautiful special effects from Industrial Lights and Magic ILM. Flawless work befitting the movie's massive Budget.
In The villain, Ultron, the Writers have crafted a memorable though under utilised bad guy. Ultron could have been the vehicle to explore deeper themes, themes that were merely hinted at but never fleshed out. Instead, His cynical yet refined snarling courtesy of James Spader reminds me of the those magnificently passionate Super villains that were so common in Saturday morning cartoons of old.
And that is exactly what this is. AGE OF ULTRON can be described as a true live action cartoon. The dialogue is light hearted, the story is straightforward, the tone is fun and the action is immense. And this is not exactly a good thing. Intense scenes are interrupted and spoilt with poorly placed humour and once again the story does not seem to take itself seriously.
Fights are over-choreographed, more like some fancy ballet than an all out battle. The fact that it cuts to graceful slow motion once in a while only emphasises the dance like nature of the fights.
And yet the movie felt like pieces of it were cut out. The narrative does not flow as smoothly as the first with inexplicable scenes like Thor suddenly going off on his hallucination trip. Much of the premise and the characters development up to this point very much depends on the viewer watching prior marvel movies.
It is here that Marvel studio's continuity heavy Creative direction rears its ugly head. To know what is going on in this movie, one would have to watch the previous movies. Captain America the winter soldier, iron man 3, the first avengers movie. But perhaps that's the point? Force people to go buy the Blu rays or the video to rewatch and get up to speed. In the end, the real big winner is distributor Disney. Ka-Ching $$.
I like a good comedy. In in a big action blockbuster, I like to believe that the stakes are real, that the dangers faced by our heroes are real, that they are really fighting for the fate of the world. Instead, we get this cartoony violence, with equally cartoony superficial story, where heroes joke around with quick lighthearted quips in the middle of a fight scene where people could die. This kills tension. And if it weren't for the magnificent effects, action and direction, AGE OF ULTRON would have scored a bit lower.
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