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A Quiet Passion (2016)

PG-13 | | Biography, Drama | 7 April 2017 (UK)
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The story of American poet Emily Dickinson from her early days as a young schoolgirl to her later years as a reclusive, unrecognized artist.

Director:

Terence Davies

Writer:

Terence Davies
3 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
Emma Bell ... Young Emily
Sara Vertongen Sara Vertongen ... Miss Lyon (as Sara Louise Vertongen)
Rose Williams ... Young Vinnie
Benjamin Wainwright ... Young Austin
Keith Carradine ... Father
Marieke Bresseleers Marieke Bresseleers ... Jenny Lind
David Van Bouwel David Van Bouwel ... Concert Hall Pianist
Annette Badland ... Aunt Elizabeth
Steve Dan Mills Steve Dan Mills ... Dr. Holland
Joanna Bacon ... Mother
Daniel Vereenooghe Daniel Vereenooghe ... Carriage Driver
Michel Delanghe Michel Delanghe ... Carriage Driver Assistant
Maurice Cassiers Maurice Cassiers ... Photographer
Duncan Duff ... Austin Dickinson
Jennifer Ehle ... Vinnie Dickinson
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Storyline

The story of American poet Emily Dickinson from her early days as a young schoolgirl to her later years as a reclusive, unrecognized artist.

Plot Summary | Add Synopsis

Taglines:

The inspiring untold story of an American literary icon.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, disturbing images and brief suggestive material | See all certifications »
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Details

Official Sites:

Official site [Japan]

Country:

UK | Belgium | USA | Canada

Language:

English

Release Date:

7 April 2017 (UK) See more »

Also Known As:

A Quiet Passion See more »

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Box Office

Budget:

EUR6,900,000 (estimated)

Opening Weekend USA:

$45,825, 16 April 2017

Gross USA:

$1,865,396

Cumulative Worldwide Gross:

$4,159,246
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Terence Davies read six biographies of Emily Dickinson prior to making the film and he believes that she is a genius. Cynthia Nixon also read a lot of biographies of Emily Dickinson in order to get into the role and she detected contradictions, but she found it interesting because she had the chance to choose her favorite versions. See more »

Goofs

The Bahn Frei polka played in the dance scene had not been written at the time. See more »

Quotes

Emily Dickinson: Poems are my solace for the eternity which surrounds us all.
See more »

Soundtracks

Jeanie with the Light Brown Hair
Written by Stephen Foster
Performed by Helen Krizos
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User Reviews

 
Too quiet, not enough passion
20 April 2017 | by davidgeeSee all my reviews

Emily Dickinson lived her entire life (1830-1886) in Amherst, Massachusetts, rarely leaving the town and, in middle age, not even leaving the family home. She never married and, in this biopic, only once falls seriously in love – with a married vicar who almost certainly did not know of her "quiet passion". A young man who courts her later in the movie has to talk to her unseen at the top of the stairs.

Dickinson's life lacks the stuff that might make a substantial movie. Cynthia Nixon does a valiant job of giving her substance – in conversations and arguments with her sister (Jennifer Ehle), her father (Keith Carradine, looking like a Mount Rushmore effigy) and visitors and relatives – but what little drama there is here comes from illness and death scenes, of which there are many, long drawn out. The overdone manners of the era are parodied in drawing-room scenes borrowed from Jane Austen and Oscar Wilde, scenes that are pleasingly comic but seem more than a little contrived. Nixon reads some of the verse in voice-over but the early efforts, celebrating Nature, are not in Walt Whitman's league and only the later poems anticipating (almost inviting) Death have any real resonance. It is for these that Emily Dickinson is mostly remembered.

The cinematography is splendid, and the costumes and the over- furnished sets convey a stifling sense of the period. A moment in which portraits of the younger Dickinsons morph into their older selves is exquisite and there's another nice one at the end. The script – and the direction – struggle to make a mountain out of the molehill that was Emily's life. I was constantly thinking how much more 'oomph' there is in an Austen or a Brontë adaptation.


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