It's December 1969 in Watford, England, and Jeremy Sloane is at the end of his rope - literally. His failed attempt to end it all has just joined a growing list of recent setbacks, which ... See full summary »
1987: A 13 year old natural born dancer with fire in his heels and snakes in his hips is working himself up to explode all over the UK Junior Salsa Championships. But then: a freakish bullying incident on the mean streets of London robs him of his confidence, and our young hero finds his life diverted down a very different path. So it is that 22 years later, an adult Bruce Garrett (Nick Frost) finds himself out-of-shape and unloved - trapped in a downward spiral of self-pity, repression and Nando's take-outs. Only Julia (Rashida Jones), his smart, funny, gorgeous new American boss, gives him reason to live. But she's untouchable. Out of his league, so he imagines, with her perfect smile and perfect life. Unknown to Bruce however, Julia has issues all of her own. Luckily for him, she also has a secret passion. Then there's Drew (Chris O'Dowd), his alpha male colleague and horny king-monkey of the office. With Drew making no secret of his desire to get (his words) "all up inside Julia",...Written by
During the dance-off, Drew does a move where he tries to grab Bruce's face, and Bruce counters him. This part is a piece of choreography from The World's End (2013), where Andy, another character played by Nick Frost, counters the same move during a bathroom fight scene. See more »
During the end credits there is a flyer for a Latin Cruise which misspells Dance Lessons as "Dance Lessions." See more »
Hey. I just wanted to say sorry for being rude to you.
Yes you were. You were very rude to me. You were kind of a pig to me actually. A rude pig.
I'm kidding with you god! My name is Bejan nice to meet you!
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Several characters appear in newspaper clippings in the end credits, including Chris O'Dowds character in his new job. See more »
Written by Tito Puente
Performed by Tito Puente & His Orchestra
Published by Peer International Corporation
Published by Notting Hill Music Ltd.
Courtesy of Sony Music Entertainment US LATIN LLC. See more »
Watching films like the present one is, under some respects, a rite: we know in advance what is awaiting us, we can easily imagine what will happen, how things will turn, how they will end. So when we start watching we wonder mainly one thing: will the story develop as we expect, will our expectations be happily confirmed or on the contrary will something unpleasant let us down? Which is exactly what doesn't have to happen.
Knowingly or not we are seeking for something that will sooth our anxiety, like a balm. This is the prerequisite. Then we check if the film is OK, if it makes us laugh, if the story is original, if it surprises us, if the funny characters are actually funny... and so on.
Well according to me everything is OK in this nice movie, the story is good, the characters are catching and everything is as it had to be: funny and entertaining. A good British answer to American comedies.
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