A woman tries to exonerate her brother, who was convicted of murder, by proving that the crime was committed by a supernatural phenomenon.


Mike Flanagan


Mike Flanagan (screenplay by), Jeff Howard (screenplay by) | 2 more credits »
3,187 ( 452)
3 wins & 17 nominations. See more awards »





Cast overview, first billed only:
Karen Gillan ... Kaylie Russell
Brenton Thwaites ... Tim Russell
Katee Sackhoff ... Marie Russell
Rory Cochrane ... Alan Russell
Annalise Basso ... Young Kaylie
Garrett Ryan ... Young Tim (as Garrett Ryan Ewald)
James Lafferty ... Michael Dumont
Miguel Sandoval ... Dr. Shawn Graham
Kate Siegel ... Marisol Chavez
Scott Graham Scott Graham ... Warren
Michael J. Fourticq Michael J. Fourticq ... St. Aidan Security Guard
Justin Gordon ... Mark (Supervisor)
Katie Parker ... Phone Store Clerk
Bob Gebert ... Neighbor
Brett Murray ... Officer 1 (as Brett Luciana Murray)


The twenty-one-year-old Timothy "Tim" Allen Russell is discharged from a mental institution by his psychiatric Dr. Shawn Graham completely healed from a childhood trauma where his father purportedly tortured and killed his mother before being killed himself by Tim. His sister Kaylie welcomes him in the parking area and brings him home. Then she tells that they need to destroy an ancient mirror that she has found through working at an auction house. She then steals the mirror and the reluctant Tim follows his sister and has fragmented recollections from their childhood, going back to when his father Alan buys a mirror for the home office of their new family home. Kaylie and Tim see a woman with their father in his office and the behaviors of Alan and Marie change, ending in a family tragedy. Kaylie blames the mirror and now she wants to destroy it with Tim. Will they succeed? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


You see what it wants you to see.


Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for terror, violence, some disturbing images and brief language | See all certifications »

Parents Guide:

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Did You Know?


Karen Gillan was first choice to play Kaylie as Mike Flanagan was a big fan of her work in Doctor Who (2005). See more »


When giving the story of the mirror, Kayleigh says its known history begins with Philip Lasser, 17th Earl of Leicester in 1754 who was killed by the mirror in 1755. In 1754, the title of Earl of Leicester was held by Thomas Coke. who was 1st Earl 1744-1759. There has been no Earl of Leicester with the surname Lasser. Two Earls were called Philip but both had the surname Sidney. There has never been a 17th Earl of Leicester; the farthest the title has passed was for the 7th Earls. See more »


Kaylie Russell: The trail starts in London, in 1754. Philip Lasser, 17th Earl of Leicester, acquired the mirror and hung it over his fireplace and... So in 1755, Philip Lasser was found in the grand fireplace, burned beyond recognition.
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Referenced in Tosh.0: Bryan Silva (Gratata) (2014) See more »


Oculus (Remix)
Mixed by Paul Oakenfold
Additional Production and Engineered by Hank Kalleen
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User Reviews

Effective trip into psychological horror
12 April 2014 | by samuellop10See all my reviews

21 year old Tim Russell is released from a mental institution.That same week his older sister is able to get a few days alone with the Lesser mirror. Kaylie, the sister, decides to take the mirror back to their old house, where unspeakable horrors unfolded during their childhood shortly after they moved to the back-then-new-house, and their father bought the infamous mirror. Kaylie is convinced the mirror is haunted: the mirror being some sort of evil supernatural being. Tim, on the other hand, has grown completely skeptic about the supernatural aspect of the mirror, believing his sister only holds on to that notion simply to have a way to cope with the horrific events of their childhood. Needless to say, the mirror does seem haunted, and as the night progresses for the adult siblings, the door to those memories open up, revealing more and more those events which both are trying to move on from; albeit in very different ways. These two timelines (their childhood and their present-day adult selves) unfold in a parallel manner, with the ending of the film culminating the two timelines' climaxes together.

One of the things the film gets right is the acting. Both Karen Gillian and Brenton Thwaites do a very decent job in portraying the adult version of the siblings. Their children counterparts also do an impressive work in portraying two small, terrified brother and sister with no one to turn to for help, slowly accepting the fact that they are both alone against the mirror.

The second good thing about it is the staging of the story. Although the concept is nothing new or original, the execution of such concept is both new and original. This injects a healthy dose of re-freshens and also a decent amount of unexpectedness to the film. Both helping in making this horror film one in which the audiences are actually engaged and interested in what will happen next, and at the same time they can have fun in the direction the story advances to.

A neutral element in it is the way they decided to unfold both story-lines (past and present). Like mentioned above, both of them move forward hand-in-hand, with various parallels presenting themselves in the way of flashbacks from both siblings. While this works wonderfully in the first half of the film, the second half of it loses a good chunk of the excitement which this sort of narrative added to the first half. That is not to say however, that it hurts it, but by the ending it just feels it needed to continue this way to explain what had happened, rather than using it to strengthen the present events.

More personally speaking, the ending felt rather frustrating and just almost unimaginative. While the final events fit into the pattern of what the mirror does, it feels like it should have had a more surprising ending due to the excellent build-up the film provides in the first two-thirds. The moment when the final twist happens, it is shocking, with everything falling into place seconds later, only to add more shock to what happens. However, moments later the feeling of shock is quickly replaced by one of been-there-done-that, leaving the audience feeling that there should have been more to it, rather than it being so simple and straight-forward.

If you are expecting an explanation for what the mirror really is, what entity it holds, or how it came to be, you will be disappointed. If you are rather more interested in the how (instead of the why's or what's of the mirror) you will feel more satisfied. The focus of the film is in tricking its characters, and along with them the audience as well. The story is very effective in messing with one's psyche, making one actually wonder what is actually happening to the characters, and what is fake and just a product of the mirror.

Overall, adjust your expectations into knowing that this film is good, but it does not redefine the genre in the slightest. It does feel refreshing, but other than in its execution, there is nothing new to see here. The movie is fun and unexpected (something very few recent horror movies can say), so with everything else, it is definitely an enjoyable ride as a whole.

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Frequently Asked Questions

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Release Date:

11 April 2014 (USA) See more »

Also Known As:

Oculus See more »

Filming Locations:

Mobile, Alabama, USA See more »


Box Office


$5,000,000 (estimated)

Opening Weekend USA:

$12,005,402, 13 April 2014

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

Auro 11.1



Aspect Ratio:

2.35 : 1
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