In the hotel shooting scene, when Jeff throws himself against the window, Karen runs to him and drops the briefcase to her right. In the next shot, one can see the briefcase has moved to the other side of the corridor. See more »
"A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies. " The comedy of "Keeping Up with the Joneses" comes from exaggeration. Mottola and screenwriter Michael LeSieur play up a suburban oasis for Jeff and Karen, with the pair living an idyllic life in a beautiful home. She's an interior designer, he's a practiced corporate negotiator, and while their marriage is stable, it's become flavorless. You've seen these characters before, and the production does little to disturb expectations, highlighting sexual dysfunction in the household, with newfound summertime freedom inspiring thoughts of savage coupling, only to have the pair maintain distance out of habit. There's no twist, no larger message of love. Jeff and Karen are set up as cheerful nothings easily overwhelmed by the arrival of Tim and Natalie, who stun their neighbors with flawless style, beauty, and sophistication. They're incredible, bewitching the community with tales of international travel and the display of impressive dart-throwing skills.
Gal Gadot is always good at playing at the sexy lady and Jon Hamm was good at playing his manipulating and sly character. There's hardly any jokes that work in the movie, and if it wasn't for Isla Fisher and Zach Galifianakis's improvisational Comedy it would've flopped big time! The movie had one of the biggest disappointing showdowns we've ever seen. All in all, it's not a disastrous movie, but your best bet is to rent it on Netflix. 5/10. 2/5 stars.
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