Malevolent (2018)
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- TV-MA
- 1h 29min
- Horror, Mystery
- 05 Oct 2018 (USA)
- Movie
- 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Florence Pugh | ... |
Angela
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Ben Lloyd-Hughes | ... |
Jackson
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Scott Chambers | ... |
Elliot
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Georgina Bevan | ... |
Beth
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Stephen McCole | ... |
Frank
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Daisy Mathewson | ... |
Susie
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Charlotte Allen | ... |
Maddy
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Nicola Grier | ... |
Christine
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Celia Imrie | ... |
Mrs. Green
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Shelley Conn | ... |
Professor Samantha Harlow
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Daniel Campbell | ... |
Bloody Student
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James Cosmo | ... |
Grandpa
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William Leslie | ... |
Craig's Henchman
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Ian Lorimer Milne | ... |
Craig
(as Ian Milne)
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Charles Barrett | ... |
Victor
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Emma Atkin | ... |
Claire
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Flora Brady | ... |
Missy
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Anna Coote | ... |
Tammy
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Niall Greig Fulton | ... |
Herman
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Kathryn Howden | ... |
Nurse
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Rest of cast listed alphabetically: | |||
Felix Principe-Gillespie | ... |
Foot (uncredited)
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Directed by
Olaf de Fleur Johannesson | ... | (as Olaf De Fleur) |
Written by
Ben Ketai | ... | (screenplay by) and |
Eva Konstantopoulos | ... | (screenplay by) |
Eva Konstantopoulos | ... | (based on the novel "Hush" by) |
Produced by
Robbie Allen | ... | executive producer |
Graham Begg | ... | executive producer |
Gillian Berrie | ... | executive producer |
Marcus Chait | ... | executive producer |
Brian Coffey | ... | producer |
Victoria Dabbs | ... | line producer |
Peter Garde | ... | executive producer |
Hugo Grumbar | ... | executive producer |
Tim Haslam | ... | executive producer |
Tiernan Kelly | ... | executive producer |
Gideon Lyons | ... | executive producer |
David Mackenzie | ... | executive producer: Sigma Films |
Ross McKenzie | ... | executive producer |
Claire Moorsom | ... | executive producer |
Max Pirkis | ... | executive producer |
Keith Potter | ... | executive producer: Catalyst Global Media |
Danny Sherman | ... | producer |
Charlotte Walls | ... | executive producer |
Music by
Al Hardiman |
Cinematography by
Bjarni Felix Bjarnason | ... | director of photography |
Editing by
David Arthur | ||
Zach Clark |
Editorial Department
Barney Arathoon | ... | post producer: The Look |
Tom Boyle | ... | on-line editor: The Look |
Evan Crichton | ... | first assistant editor |
Thomas Urbye | ... | colourist: The Look |
Casting By
Kahleen Crawford | ||
Caroline Stewart |
Production Design by
Jamie Lapsley |
Art Direction by
Ryan Clachrie |
Costume Design by
Nancy McKenna |
Makeup Department
Christine Close | ... | hair stylist / makeup artist |
Nikki Cowe | ... | hair stylist: second unit/dailies / makeup artist: second unit/dailies |
Emma Heard | ... | hair stylist: second unit/dailies / makeup artist: second unit/dailies |
Joy Lowrie | ... | hair stylist: second unit/dailies / makeup artist: second unit/dailies |
Hannah McConnell | ... | hair trainee / makeup trainee |
Stephanie Lynne Smith | ... | hair designer / makeup designer |
Second Unit Director or Assistant Director
David Arthur | ... | second unit director |
Jonathan Farmer | ... | first assistant director |
Mark Inglis | ... | key second assistant director |
Maria Mulhall | ... | second assistant director |
Art Department
Matt Chessell | ... | props |
Chris McMillan | ... | property master |
Cara Roxburgh | ... | petty cash buyer |
David Thomson | ... | props |
Catherine Weir | ... | graphic designer |
Sound Department
Chris Alford | ... | foley mixer |
Nick Baldock | ... | adr mixer |
Sam Biggs | ... | sound effects editor |
Peter Brill | ... | sound mixer |
Tony Cook | ... | boom operator |
Kahl Henderson | ... | re-recording mixer |
Craig Jackson | ... | sound trainee |
Special Effects by
Wayne Bennett | ... | senior special effects technician: Quicksilver SFX |
Visual Effects by
Chris Duffy | ... | visual effects artist |
Benett Gyurik | ... | visual effects artist |
Karolina Szydlowska | ... | visual effects artist |
Stunts
David Goodall | ... | fight director |
Jason White | ... | stunt coordinator |
Camera and Electrical Department
Steve Arthur | ... | gaffer |
Joe Bullen | ... | steadicam operator |
Derek Gereg | ... | creative skillset camera trainee |
Steffen Goeschel | ... | digital imaging technician |
Richi Holt | ... | grip |
Graeme Hunter | ... | still photographer |
Clyde Jones | ... | second assistant camera |
Sean McDonald | ... | best boy |
Grant McPhee | ... | camera workflow supervisor |
Martin Newstead | ... | camera operator: "b" camera/steadicam |
Mihail Ursu | ... | camera trainee: Screen NETS One |
Chris Warwick | ... | first assistant camera: "a" camera |
Casting Department
Ross Barratt | ... | casting assistant |
Costume and Wardrobe Department
Kathryn Donaldson | ... | costume supervisor |
Izzy Gibbs | ... | costume ager daily |
William McGovern | ... | costume fittings daily |
Jade McNaughton | ... | costume trainee |
Katy Taylor | ... | key costumer |
Location Management
David Burt | ... | location manager |
Lloret MacKenna Dunn | ... | location researcher (as Lloret Dunn) |
Lyndsay Tannahill | ... | locations trainee: Screen NETS One |
Music Department
Arthur Baker | ... | Record Producer: "IOU" |
Jellybean Benítez | ... | additional production & remix: "IOU" |
Jen Moss | ... | music supervisor |
Script and Continuity Department
Cristin Mackenzie | ... | script supervisor |
Additional Crew
Jo Cameron Brown | ... | dialect coach |
Leah Carroll | ... | production coordinator |
Kirsty Dyer | ... | production trainee |
Calum Gray | ... | head of sales |
Derek Gray | ... | storyboard artist |
Glynn Henderson | ... | safety consultant |
David Jack | ... | assistant: Brian Coffey |
Felix Principe-Gillespie | ... | floor runner |
Amanda Pyne | ... | Consultant: AP Media Ltd |
Mairi Ritchie | ... | health and safety advisor |
Karie-Ann Robinson | ... | head chaperone |
Malcolm Rumbles | ... | floor runner |
Maite Villarino Vicente | ... | international sales |
Lewis Wardrop | ... | researcher |
Lesley Wise | ... | group general counsel: Catalyst Global Media |
Matt Jarman | ... | audio describer (uncredited) |
Thanks
Sophie Austin | ... | big thanks |
Jared Ceizler | ... | big thanks |
Ian Davies | ... | big thanks |
Ness Evans | ... | big thanks |
Paul Fegan | ... | big thanks |
Elizabeth Fieldhouse | ... | big thanks (as Elizabeth Fergusson) |
Louise Harris | ... | big thanks |
Olivia Homan | ... | big thanks |
Anna Josse | ... | big thanks |
Colin Kennedy | ... | big thanks |
Francis Lopez | ... | big thanks |
Sophie Patterson | ... | big thanks |
Joe Powell | ... | big thanks |
Brodie Pringle | ... | big thanks |
Jennifer Reynolds | ... | big thanks |
Dallas Smith | ... | big thanks |
Hamish Walker | ... | big thanks |
Production Companies
- Catalyst Global Media (presents)
- Ultimate Pictures (presents)
- Creative Scotland (presents)
- Embankment Films (in association with)
- Author Solutions (in association with)
- Sigma Films
- Thruline Entertainment
Distributors
- Embankment Films (2018) (World-wide) (sales and distribution)
- Netflix (2018) (World-wide) (video) (VOD) (several territories)
- Front Row Filmed Entertainment (2018) (United Arab Emirates) (Middle East, North Africa & Iran)
Special Effects
- Quicksilver SFX (special effects)
- Fix FX (visual effects)
Other Companies
- Bespoke Catering (catering)
- 'Stars' Nurses for Film and TV (nurses)
- HART Services (paramedics)
- Savalas Audio Post-Production (sound post-production)
- Universal Sound (foley)
- The Look (picture post-production)
- Blazing Griffin (picture post-production)
- Paterson James (completion guarantee)
- Kenren Media (business affairs: Sigma Films)
- Wiggin (legal advisors: Ultimate Pictures)
- Wiggin (legal advisors: Creative Scotland)
- Reed Smith (legal advisors: Paterson James)
- Reviewed & Cleared (compliance lawyer)
- Media Insurance Brokers (MIB) (insurance)
- Sargent Disc (payroll services)
- Grant Thornton (audit)
- Freeway CAM B.V. (collection agent services)
Storyline
Plot Summary |
Siblings Jackson and Angela run a profitable ghostbusting racket; swindling the bereaved with fake detection equipment and Angela's paranormal 'visions'. Hired to investigate a haunted old foster home, the team uncover its terrifying past: young girls brutally slaughtered, mouths stitched shut; silenced by a sadistic killer. And Angela's on the edge - sleepless, strung out and losing her mind, no longer certain what's actually real; convinced she hears the girls crying out to her from the darkness... But supernatural terrors are the least of their problems when they discover the very real evil lurking in the isolated house. Written by Sigma Films |
Plot Keywords | |
Taglines | A group of fake paranormal investigators suffer the ultimate reality check when confronted by the true horrors that lie hidden within a haunted orphanage. See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
Trivia | Based on the book "Hush" by Eva Konstantopoulos. See more » |
Goofs | Aside from certain technologies seen, such as 1980's headphones, there is very little from the actual 1980's in this movie. Most of the fashions, makeup and hairstyles seem very much from the 21st Century, especially during the nightclub scene. See more » |
Soundtracks | I.O.U See more » |
Quotes |
[first lines]
Title Card: None of the dead come back. But some stay. -Saint John the Divine See more » |