Red Crow Mi'kmaq reservation, 1976: By government decree, every Indian child under the age of 16 must attend residential school. In the kingdom of the Crow, that means imprisonment at St. Dymphna's. That means being at the mercy of "Popper", the sadistic Indian agent who runs the school.
A self-obsessed young man makes his way to the party-to-end-all-parties on the last day on Earth, but ends up saving the life of a little girl searching for her father. Their relationship ultimately leads him on the path to redemption.
Jessica De Gouw,
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Red Crow Mi'kmaq reservation, 1976: By government decree, every Indian child under the age of 16 must attend residential school. In the kingdom of the Crow, that meansimprisonment at St. Dymphna's. That means being at the mercy of "Popper", the sadistic Indian agent who runs the school. At 15, Aila is the weed princess of Red Crow. Hustling with her uncle Burner, she sells enough dope to pay Popper her "truancy tax", keeping her out of St. Ds. But when Aila's drug money is stolen and her father Joseph returns from prison, the precarious balance of Aila's world is destroyed. Her only options are to run or fight - and Mi'kmaq don't run.Written by
Director/write Jeff Barnaby just kills it in his first feature length movie. Set on a Canadian reservation in the 70s the film follows Aila (Devery Jacobs who is astonishing). After a tragic accident involving her little brother Aila is left essentially parentless. By the time she's 15 she's dealing drugs, though she wears as gas mask to ensure she doesn't get high while she deals. The weed also serves another purpose; to keep from being carted off to a residential school run by priests where abuse is high, Aila pays a fee so that the white cops will ignore her presence.
The movie follows many twists and turns but eventually turns into a heist film. But what a great one it is! The performances are all great but Devery Jacobs turns out to be the real find of the movie. She is astonishing as Aila, a small kid who has been almost completely hardened after being left to fend for herself.
The cinematography by Michel St. Martin is a stunner. Not to spoil anything but there is a fight scene on the beach that is equal parts beauty and gore.
Do yourself a favour and watch this film.
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