8 user 40 critic

Harmony Lessons (2013)

Uroki garmonii (original title)
Lonely Kazakh teenager Aslan is bullied at his new school. He prepares himself for a bloody revenge on the school bully Bolat.


Emir Baigazin


Emir Baigazin (screenplay)
20 wins & 19 nominations. See more awards »




Cast overview:
Timur Aidarbekov Timur Aidarbekov ... Aslan
Aslan Anarbayev Aslan Anarbayev ... Bolat
Mukhtar Andassov Mukhtar Andassov ... Mirsain
Anelya Adilbekova Anelya Adilbekova ... Akzhan
Omar Adilov Omar Adilov ... Mad
Adlet Anarbekov Adlet Anarbekov ... Takhir
Daulet Anarbekov Daulet Anarbekov ... Damir
Nursultan Nurbergenov Nursultan Nurbergenov ... Maksat
Nurdaulet Orazymbetov Nurdaulet Orazymbetov ... Daniyar
Erasyl Nurzhakyp Erasyl Nurzhakyp ... Arsen
Asan Kirkabayev Asan Kirkabayev ... Shokan (as Assan Kirkabakov)
Ramazan Sultanbek Ramazan Sultanbek ... Gani
Beibitzhan Muslimov Beibitzhan Muslimov ... Chief Investigator
Bagila Kobenova Bagila Kobenova ... Aslan's Grandmother


Aslan is a 13-year-old loner who lives with his grandmother on a farm somewhere on the steppes of Kazakhstan. When he goes to school, he becomes the victim of bullying by the local thug Bolat. Shy and taciturn Aslan, supported by the relentless new student Mirsayin, starts to seek cruel revenge on the bully. Written by Anonymous

Plot Summary | Add Synopsis




See all certifications »

Did You Know?


"Harmony Lessons" won Silver Bear for best camerawork at the 63rd Berlin Film Festival in 2013. See more »

User Reviews

A severe, sombre social commentary
20 April 2013 | by octopuslukeSee all my reviews

-- Review originally published at www.theframeloop.com --

Acclaimed Berlinale Golden Bear award winning debut Harmony Lessons makes it's way to the CPH PIX Film Festival. A terse, gruelling Darwinian drama, and just about the best film I've seen so far this year.

We're first introduced to lonesome thirteen-year-old Aslan (Timur Aidarbekov) while he chases a bouncing sheep across his grandmother's farm. It's a playful sequence, totally transformed when – with an unnerving stoney complexion – Aslan proceeds to capture the ewe, slit it's throat and prepare it for food. Perhaps it's a normalised, essential activity in bucolic Kazakhstan, but it's nevertheless a poetic foreshadowing of the savagery we will soon witness.

Life in the classroom is far from peachy for Aslan either. After a malicious sex-ed prank leaves him humiliated and ostracised, he's left wandering alone in the shadows of the school corridors. Like any institution, there is a strict hierarchy here. Top of the wolf pack and chief tormentor is Bolat (Alsna Anarbayev) who, with his team of subservient wing-men, run an underground extortion circuit; swiping money from the smaller school kids, and passing it upwards to those older and taller than he. Meanwhile, the OCD suffering Aslan returns to his home chambers every night to conduct callous scientific experiments on the defenceless insects that populate his decrepit home. When these acts of brutality no longer suffice, Aslan calculates a scheme that he hopes will overthrow the horrendous autocracy.

Baigazan exhorts a great deal of ingenuity into the ripe Lord of the Flies rehash premise, even if his necessity for allegory may be considered to some as a little belaboured. An adept purveyor of cinematic symmetry, he uses the drab school compound to reflect the prismatic, oppressive and religiously conflicted society these youths will soon be forced into. But, for now, they are still precarious teenagers; cloaked in ill-fitting school uniforms like would-be mafioso clobber. This is no song-and-dance Bugsy Malone, however. Framed with morbid fascination by cinematographer Aziz Zhambakiyev, the situation is observed rather than explored, with Aslan kept at such an objective distance that he is presented as more of an emotionally vapid wild beast than a despairing child. Found by Baigazan in a children's shelter, there's such a haunting sincerity to Timur Aidarbekov's performance that the social unrest subtext is palpable to all, and – despite your eagerness to look away – the tragedy is so cinematically entrancing that you won't be able to.

As writer, director and editor, cineaste Baigazan's debut is enriched with nods to other filmmakers, deploying a Bresson-like moral economy to the portrait of grim suburban schooling, mixed with the severity of the Dardenne Brothers' L'infant, and subtle glimpses of Tarkovsky's oneiric surrealism come the film's beguiling, unforgettable end. Even still, Baigazan is working within his own aesthetic realm, with a rare, vehemently grim portrait of life in Kazakhstan. Primitive and poetic, Harmony Lessons tackles the universal theme of angst-riddled adolescence and merciless social autonomy to both cruel and beautiful aplomb.

-- Review originally published at www.theframeloop.com --

13 of 16 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 8 user reviews »

Frequently Asked Questions

This FAQ is empty. Add the first question.



Kazakhstan | Germany | France


Kazakh | Russian

Release Date:

5 December 2013 (Kazakhstan) See more »

Also Known As:

Harmony Lessons See more »

Filming Locations:


Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.85 : 1
See full technical specs »

Contribute to This Page

Recently Viewed