The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.

Director:

Lars von Trier

Writer:

Lars von Trier
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2,521 ( 255)
14 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
Charlotte Gainsbourg ... Joe
Stellan Skarsgård ... Seligman
Stacy Martin ... Young Joe
Shia LaBeouf ... Jerôme
Christian Slater ... Joe's Father
Jamie Bell ... K
Uma Thurman ... Mrs. H
Willem Dafoe ... L
Mia Goth ... P
Sophie Kennedy Clark ... B
Michael Pas ... Old Jerôme
Jean-Marc Barr ... Debtor Gentleman
Udo Kier ... The Waiter
Ananya Berg ... Joe - 10 Years
Morgan Hartley Morgan Hartley ... B - 12 Years
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Storyline

Joe continues to tell to Seligman the story of her life. Joe lives with Jerôme and their son Marcel and out of the blue, she loses sexual sensation in intercourse. Joe seeks kinky sex, perversions and sadomasochism expecting to retrieve her sex drive. Jerôme leaves home with Marcel and gives his son to a foster house for adoption. Then Joe is sent to therapy by her gynecologist but she does not admit that she is addicted to sex. Meanwhile Seligman tells Joe that he is virgin and helps her to understand her actions. Joe believes that Seligman is her friend, but is he? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Forget About Love

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Whether it is coincidental or a sly touch on Lars von Trier's part, the three works Seligman references as his literary encounter with the erotic are the three films that make up Pier Paolo Pasolini's "Trilogy of Life": The Decameron (1971), The Canterbury Tales (1972) and Arabian Nights (1974). The "Trilogy of Life" was noteworthy for its attention to sexuality. See more »

Goofs

During the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right. See more »

Quotes

[last lines]
Seligman: But you... you've fucked thousands of men.
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Crazy Credits

Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles." See more »

Alternate Versions

The director's cut adds roughly 57 minutes of footage, expanding some of the subplots. See more »

Connections

References The Piano Teacher (2001) See more »

Soundtracks

Das Rheingold, Scene III: Verwandlungsmusik
Performed by Staatsorchester Stuttgart
Written by Richard Wagner
Courtesy of Naxos Music
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User Reviews

Avant-Garde of Filmmaking, My Ass.
13 May 2014 | by CinemaClownSee all my reviews

Nymph()maniac, if I've to describe in a single sentence, is director Lars von Trier trying to sell his bland & banal softcore as a work of art. Divided into 2 volumes, Nymph()maniac is the final chapter in what is now being labeled as Depression Trilogy (preceded by Antichrist & Melancholia) and tells the story of a self-diagnosed nymphomaniac named Joe recounting her life's sexual experiences to Seligman; the man who found her badly-beaten up in some deserted alley plus who later tries to connect & analyze her stories with whatever he has read about.

Volume 2 picks the story right from where Volume 1 signed off and continues Joe's retelling of her erotic endeavors to Seligman & how she ended up in his care. And, if the previous half of Nymph()maniac had Joe engaging in one sex session after another down to the point that it became repetitive & boring, then this half shows her sexual ventures going a little extreme as director Lars von Trier throws in sadomasochism & pedophilia into the tale to amplify its shock value but it actually ends up even more repulsive than it already was.

The story goes downhill from the already ineffective narration that was present in the previous part, the pace is still sluggish, some sequences are disturbing to watch while others are present just to stir more controversies or irk as many viewers as possible. The performances still don't carry any complains unlike the rest of this film's aspects although the characters continue to remain uninteresting like before. Charlotte Gainsbourg takes over the role of Joe from Stacy Martin in her stories & even Skarsgård gets to do more as Seligman than just be a listener to Joe's endless stories.

On an overall scale, the 2nd & final volume of Nymph()maniac has nothing to offer except for few appalling moments & more philosophical bullshit. What's even more absurd or idiotic is the resolution of the Skarsgård character, Seligman, who so far was being reflected as a wise, caring friend only for the film to throw away all that notion of friendship out the window in its final moments. All in all, there is nothing artistic about this pretentious crap & if one tries to approach it as a porn feature, then the overall experience is even worse. Avant-garde of filmmaking, my ass.

Full review at: cinemaclown.wordpress.com


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Details

Country:

Denmark | Germany | Belgium | UK | France | Sweden

Language:

English

Release Date:

20 March 2014 (USA) See more »

Also Known As:

Nymphomaniac: Vol. II See more »

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Box Office

Opening Weekend USA:

$74,978, 6 April 2014

Gross USA:

$327,167

Cumulative Worldwide Gross:

$4,934,725
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Company Credits

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Dolby Digital (Dolby 5.1)

Color:

Color

Aspect Ratio:

2.35 : 1
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