A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
Joe continues to tell to Seligman the story of her life. Joe lives with Jerôme and their son Marcel and out of the blue, she loses sexual sensation in intercourse. Joe seeks kinky sex, perversions and sadomasochism expecting to retrieve her sex drive. Jerôme leaves home with Marcel and gives his son to a foster house for adoption. Then Joe is sent to therapy by her gynecologist but she does not admit that she is addicted to sex. Meanwhile Seligman tells Joe that he is virgin and helps her to understand her actions. Joe believes that Seligman is her friend, but is he?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At the beginning of the final chapter, the Molotov cocktail Joe throws at the car envelops the entire vehicle. When the shot cuts to Joe walking away, the car behind her is only partially aflame. The scene ends with a closeup of the car burning exactly as it was in the first shot. See more »
The human qualities can be expressed in one word: Hypocrisy. We elevate those who say "right" but mean "wrong" and mock those who say "wrong" but mean "right." By the way, I can assure you that women who claim that negros don't turn them on, they're lying.
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Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles." See more »
The director's cut adds roughly 57 minutes of footage, expanding some of the subplots. See more »
After having enjoyed the superb first part of 'Nymphomaniac', I felt a little bit disappointed by the second part of this film. It is less imaginative, less playful and less exuberant.
What's missing most is the interaction between the two lead characters: sex addict Joe and her asexual rescuer Seligman. In the first part, their conversation was like ping pong: they exchanged stories and experiences - hers of a sexual nature, his about all kinds of things. The links and similarities between their seemingly different lives made the film so original and attractive.
In the second part however, it's mostly Joe who tells the stories. Seligman is reduced to a minor part, that of the patient listener. Only at a few occasions he really contributes something to the conversation, but after one of his stories, Joe remarks: 'I think this is one of your weakest digressions'. After that, he lets her do the talking.
Even more than in the first part, Von Trier explores all kinds of (sexual) taboos. There's paedophilia (on which Joe has rather original but very wise views), interracial sex, sado-masochism, and all kinds of humiliation. In between, Von Trier also gives us his unorthodox thoughts on motherhood and feminism.
At several occasions, it's clear how we hear Von Trier speak through the words of his protagonist. There's a nice exchange of arguments about political correctness between Joe and Seligman. He thinks the word Negro shouldn't be used, out of respect for a part of society. She thinks that not allowing the use of certain words, is equal to forbidding certain thoughts. Political correctness is hypocrisy, she thinks. Coming from a man like Von Trier, who has committed his life to the combat against political correctness, this is a clear statement. The same goes for the scene where Joe, after having decided to attend a self help group for sex addicts, accuses the group leader of being a member of some sort of obscenity police. This is a clear message to all narrow-minded people who described 'Nymphomaniac' as porn, before having seen one second of it.
Because Von Trier so clearly has no respect for what society considers decent or proper, I was amazed by Seligmans feminist speech at the end of the film. He comforts Joe by pointing out that her behaviour as a nymphomaniac would probably be applauded if she had been a man. That a woman cannot dedicate her life to limitless sex, is proof of society's double standards. Of course this is true, but it sounds strange after so much scenes in which women are being degraded.
After having seen Nymphomaniac part 1 and part 2, I am really curious about the director's cut. Is it just more explicit sex? I hope not, because showing genitals is clearly not what makes this film great. It's everything else that should make you want to go and see it.
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