Retreating from life after a tragedy, a man questions the universe by writing to Love, Time and Death. Receiving unexpected answers, he begins to see how these things interlock and how even loss can reveal moments of meaning and beauty.
Nicky Spurgeon is an extremely accomplished con man who takes an amateur con artist, Jess, under his wing. Nicky and Jess become romantically involved, and with Nicky's profession of being a liar and a cheater for a living, he realizes that deception and love are things that don't go together. They split, only to see each other three years later... And things get messy.
When Farhad arrives to Buenos Aires and talks to Jess about being a lesbian, she holds a white cup on her right hand. Immediately after Farhad says that "every time she speaks he smells vagina", Jess isn't holding the cup anymore, but it reappears in the next cut. See more »
I can convince anyone of anything. I once convinced a man that an empty warehouse was the federal reserve, so I'm good.
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Anything You Want (Not That)
(Aldo Vannucci Presents The Cinnamon Kings Remix)
Written by Kathrin Wollermann, Richard Carr and Tim Godwin
Performed by Belleruche
Courtesy of Tru Thoughts Recordings
By arrangement with Third Side America See more »
If ever there was a movie that should use LMFAO's "I'm Sexy and I Know It" as its theme song, this is it. Full of swagger and sizzle, this glossy thriller amps up the sex appeal all the way to boiling hot, even when the other cinematic elements can't quite keep up. What stops this from becoming 2015's Thomas Crowne Affair (the racy McQueen / Dunaway original, not the ho-hum Brosnan / Russo remake) is the convoluted script from Glenn Ficarra and John Requa, who also take on directing duties. Their con-within-a-con-within-a-con plot is so cumbersome and complicated that the last act becomes a slog to get through. The nonsensical finale all but confirming just how far the twisted storyline had spiralled out of the filmmaker's control. Yet for all of its narrative flaws – which also includes an abundance of con-artist clichés – there is still an enthusiasm and seductiveness to the proceedings that primarily keeps it fun. There are a few amusing sleight of hand sequences, a streak of raunchy humour, and an abundance of only-in-our-wildest-dreams glitz and glamour that successfully adheres to the tried and tested formula of the genre. And then, of course, you also have the ridiculously attractive leading duo of Will Smith and Margot Robbie, together sharing a saucy chemistry in a relationship that sees the power dynamic continuously ebb and flow between them. A more, umm, focused screenplay could have leant the film a lasting influence, as is Focus offers enjoyable in-the-moment popcorn thrills that will be quickly forgotten.
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