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6.4/10
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Joaquín Manchado rules his drug empire from Barcelona's seaport with an iron fist until a new shipment sends business and family spiraling.Joaquín Manchado rules his drug empire from Barcelona's seaport with an iron fist until a new shipment sends business and family spiraling.Joaquín Manchado rules his drug empire from Barcelona's seaport with an iron fist until a new shipment sends business and family spiraling.
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Do not get me wrong: it is still mediocre.
Just, compared with the usual low quality, and the terrible acting and scripting of Spanish thrillers, is probably the best show of latest years.
The show benefits from a high budget. Sceneries, the port, the ships, resources. All this contributes to a solid staging and a professional appaerance.
The action scenes are well done, specially comparing with other Spanish productions. Still quite amateurish, but I think not because the way they filmed it and the actors and extras done it; it is a planning problem: writers and directors have no idea how weapons work, how people behave in close range combat, and so on.
Eduard Fernández is an extraordinary actor and nailed it. His performance is largely the best in the show, and he single handedly saves the entire show. He is gritty, dark, complex. And, overall, the actor is very natural: the way he speaks, the way he moves, he is very credible in the role of the port kingpin.
We cannot say the same of the other parts. And it is a common problem in non-comedy Spanish shows: from plain bad acting to overacting, people not talking the way people talk in Spain, expelling from their mouths poor or ridiculous dialogues.
Another problem is the lack of attention to detail. It is not fault of actors or production, but writers. It is like that scene which begins with a cargo ship navigating and a caption that says "Pacific Ocean". Suddenly, a speed boat with somali pirates or alike appears from nowhere. In the Pacific ocean. Quite a leap for somali pirates. The subsequent action in the attacked ship could have been really good, as they had the resources to do it. What they lack is attention to detail, knowledge of stuff necessary to giving it a little credibility and the classic overconfidence of writers in their own knowledge.
The lack of professionalism in the depiction of police work, how drug dealers and sicarios work, how weapons should be used, and even the incorrect geography, takes the shine off what could have been a great show.
The show is plagued with all these things; together with the bad acting (aside of the extraordinary work of Eduard Fernandez and a few small parts) and very poor dialogues, makes watching it a bit tiresome and difficult to suspend disbelief.
Just, compared with the usual low quality, and the terrible acting and scripting of Spanish thrillers, is probably the best show of latest years.
The show benefits from a high budget. Sceneries, the port, the ships, resources. All this contributes to a solid staging and a professional appaerance.
The action scenes are well done, specially comparing with other Spanish productions. Still quite amateurish, but I think not because the way they filmed it and the actors and extras done it; it is a planning problem: writers and directors have no idea how weapons work, how people behave in close range combat, and so on.
Eduard Fernández is an extraordinary actor and nailed it. His performance is largely the best in the show, and he single handedly saves the entire show. He is gritty, dark, complex. And, overall, the actor is very natural: the way he speaks, the way he moves, he is very credible in the role of the port kingpin.
We cannot say the same of the other parts. And it is a common problem in non-comedy Spanish shows: from plain bad acting to overacting, people not talking the way people talk in Spain, expelling from their mouths poor or ridiculous dialogues.
Another problem is the lack of attention to detail. It is not fault of actors or production, but writers. It is like that scene which begins with a cargo ship navigating and a caption that says "Pacific Ocean". Suddenly, a speed boat with somali pirates or alike appears from nowhere. In the Pacific ocean. Quite a leap for somali pirates. The subsequent action in the attacked ship could have been really good, as they had the resources to do it. What they lack is attention to detail, knowledge of stuff necessary to giving it a little credibility and the classic overconfidence of writers in their own knowledge.
The lack of professionalism in the depiction of police work, how drug dealers and sicarios work, how weapons should be used, and even the incorrect geography, takes the shine off what could have been a great show.
The show is plagued with all these things; together with the bad acting (aside of the extraordinary work of Eduard Fernandez and a few small parts) and very poor dialogues, makes watching it a bit tiresome and difficult to suspend disbelief.
Show has the proper mixture of everything that make a good crime show. Crime family with tensions between members. Crime enterprise hiding behind the facade of legitimate business. Large shipment of drugs going missing. Various crime families circling each other "we are friends, we work together but we'll punch on you if we see you as weak". Colombian drug cartels. Undercover cops. Events from decades ago still casting shadows and secrets. But somehow it all fails to come together and leaves us with a disjointed story that is all over the place, betrayals that make little sense, people acting stupidly..... Too bad.
This show... Wow.. I wasn't expecting much my this exceeded my expectations and beyond!!! Trapped from the very first minute to the last. Unstoppable action from the start.
The acting is so good... Loved the under cover cop guy, the uncle, every body on the show was well cast and I'm still in shock over the finale... Certainly hope this means a second season will soon follow.
Happy is only eight episodes (not too long series) yet sad cause I wanted to continue with new episodes like yesterday!
Ond tends to dismiss other countries when it comes to making TV but the Spanish television is actually good enough to hook you up into it and don't let you go.
The acting is so good... Loved the under cover cop guy, the uncle, every body on the show was well cast and I'm still in shock over the finale... Certainly hope this means a second season will soon follow.
Happy is only eight episodes (not too long series) yet sad cause I wanted to continue with new episodes like yesterday!
Ond tends to dismiss other countries when it comes to making TV but the Spanish television is actually good enough to hook you up into it and don't let you go.
Pros: Intriging concept. Mafia-like family controlling the port, with people trying to take over the throne, the backstabbing, the betrayals, the side deals, etc. So initially you get the idea of this being a Spanish version of Rome Suburra......except the execution is no where near the Italian counterpart.
Writing. There are so many scenes involving someone calling somebody's name or saying 'stop'. Way to many. Just irritating.
Very few 'real' conversations. Instead, it was people reciting individual sentences to progress the audience to the next scene. 'I am going to take our daughter and drive her to school' or 'I am going to call my brother on the cell phone and invite him to lunch tomorrow' are example of statements made to inform the audience what the character will do next, instead of natural conversation.
Direction. The shaky cam, multiple edits within one scene, face close-ups, loud music during action...all the necessary tricks to decieve the audience that more is going on. The fight scenes are choreographed so badly that one person actually had a knife over their head bringing it down to stab someone, I almost stopped watching from that scene alone. People would all have guns but for some reason forgot they had guns and fight hand-to-hand for no reason at all.
Ex Machina.....for a city with almost six million people, there appears to be only one coffee shop, one restaurant, one alley, one police station and only one side of the port because people kept running into each other by coincidence, throughout the series.
Writing. There are so many scenes involving someone calling somebody's name or saying 'stop'. Way to many. Just irritating.
Very few 'real' conversations. Instead, it was people reciting individual sentences to progress the audience to the next scene. 'I am going to take our daughter and drive her to school' or 'I am going to call my brother on the cell phone and invite him to lunch tomorrow' are example of statements made to inform the audience what the character will do next, instead of natural conversation.
Direction. The shaky cam, multiple edits within one scene, face close-ups, loud music during action...all the necessary tricks to decieve the audience that more is going on. The fight scenes are choreographed so badly that one person actually had a knife over their head bringing it down to stab someone, I almost stopped watching from that scene alone. People would all have guns but for some reason forgot they had guns and fight hand-to-hand for no reason at all.
Ex Machina.....for a city with almost six million people, there appears to be only one coffee shop, one restaurant, one alley, one police station and only one side of the port because people kept running into each other by coincidence, throughout the series.
The TV series in question is nothing but a chaotic mishmash of gratuitous violence and graphic sexual content, seemingly designed to shock rather than tell a coherent story. From the very first episode, it becomes clear that the writers have little else in mind beyond throwing every taboo and shock value scene they can think of into each episode. The result is a non-stop barrage of outrageous characters-A voodoo/Santeria shaman, pirates, fight club pretenders. In short, nothing more than a mindless and forgettable sequence of fighting stunts and spontaneous sex scenes. One a positive note, you'll never feel like you missed something, since every scene feel the same.
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