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Spectre (2015)

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1:10 | Trailer
A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions.

Director:

Sam Mendes

Writers:

John Logan (screenplay by), Neal Purvis (screenplay by) | 6 more credits »
Popularity
249 ( 37)
Won 1 Oscar. Another 7 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
Daniel Craig ... James Bond
Christoph Waltz ... Blofeld
Léa Seydoux ... Madeleine
Ralph Fiennes ... M
Monica Bellucci ... Lucia
Ben Whishaw ... Q
Naomie Harris ... Moneypenny
Dave Bautista ... Hinx
Andrew Scott ... C
Rory Kinnear ... Tanner
Jesper Christensen ... Mr. White
Alessandro Cremona Alessandro Cremona ... Marco Sciarra
Stephanie Sigman ... Estrella
Tenoch Huerta ... Mexican Man in Lift
Adriana Paz Adriana Paz ... Mexican Woman in Lift
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Storyline

A cryptic message from the past sends James Bond (Daniel Craig) on a rogue mission to Mexico City and eventually Rome, where he meets Lucia Sciarra (Monica Belluci), the beautiful and forbidden widow of an infamous criminal. Bond infiltrates a secret meeting and uncovers the existence of the sinister organisation known as S.P.E.C.T.R.E. Meanwhile, back in London, Max Denbigh (Andrew Scott), the new head of the Centre of National Security, questions Bond's actions and challenges the relevance of MI6, led by M (Ralph Fiennes). Bond covertly enlists Miss Eve Moneypenny (Naomie Harris) and Q (Ben Whishaw) to help him seek out Dr. Madeleine Swann (Léa Seydoux), the daughter of his old nemesis Mr. White (Jesper Christensen), who may hold the clue to untangling the web of S.P.E.C.T.R.E. As the daughter of the assassin, she understands Bond in a way most others cannot. As Bond ventures towards the heart of S.P.E.C.T.R.E., he learns a chilling connection between him and the enemy he seeks.

Plot Summary | Plot Synopsis

Taglines:

The dead are alive


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of action and violence, some disturbing images, sensuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA | Austria | Mexico | Italy | Morocco

Language:

English | Spanish | Italian | German | French

Release Date:

6 November 2015 (USA) See more »

Also Known As:

Bond 24 See more »

Filming Locations:

Oujda, Morocco See more »

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Box Office

Budget:

$245,000,000 (estimated)

Opening Weekend USA:

$70,403,148, 8 November 2015

Gross USA:

$200,074,609

Cumulative Worldwide Gross:

$880,674,609
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Two-time Bond Girl Maud Adams (The Man with the Golden Gun (1974) and Octopussy (1983)) and David Giammarco immediately jetted to Toronto, Ontario to present the exclusive Canadian Premiere of this movie, after attending the Royal World Premiere in London at Royal Albert Hall. As producers Barbara Broccoli and Michael G. Wilson, director Sam Mendes, Daniel Craig, and the rest of the cast were also dispatched from London in various pairings to such cities as Paris, Berlin, Rome, Moscow, Amsterdam, Madrid, Beijing, and Mexico City to present a whirlwind schedule of global "Spectre" Premieres, 007 alumni Adams and Giammarco handled the invitation-only Gala Premiere presentation and after-party for Canada, sponsored, in part, by Aston Martin and Belvedere Vodka. This movie marked David Giammarco's seventh time hosting the Canadian premieres of each consecutive James Bond movie since Tomorrow Never Dies (1997), and a first for Maud Adams. See more »

Goofs

As Bond and Madeleine are arriving in the Moroccan Desert via train, the Sun can be seen setting on the horizon. In the next scene, the Sun is high in the sky as if it were midday. No, Bond and the girl spend the night together after fighting Hinx at dinner time. The sun is rising to the left and the train is heading south the next morning. Later at midday they are dropped off from the train. See more »

Quotes

[first lines]
Estrella: Where are you going?
James Bond: I won't be long.
See more »

Crazy Credits

The gunbarrel sequence has returned to the start of the movie. See more »

Alternate Versions

In August 2015, Columbia submitted the film to the BBFC in the UK for advice on whether the film would receive a 12A rating upon a formal submission. The BBFC informed the filmmakers that cuts would be required in two scenes before a 12A rating, instead of an uncut 15, could be obtained. These were made prior to formal submission and it was duly passed at 12A with no further changes. Reductions to "strong bloody (injury) detail" were made in the following two scenes:
  • The eye gouging now only shows an establishing shot of the thumbs being inserted, then cuts to a counter-shot from behind the victim's head when the slightly bloody thumbs emerge. The uncut version showed this all from the front, including the aftermath.
  • The suicide now takes place off-screen and with reduced detail. The uncut version showed the man putting the gun under his chin and firing with a spray of bloody mist, and two subsequent shots showed brain tissue hanging down from the back of his head.
These cuts persist in all worldwide versions of the film. See more »

Connections

Follows Goldfinger (1964) See more »

Soundtracks

Cum Dederit (Andante) [Nisi Dominus (Psalm 126), R.608]
Written by Antonio Vivaldi
Performed by Andreas Scholl, Australian Brandenburg Orchestra and Paul Dyer
Courtesy of Decca Music Group Ltd.
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

 
Great cast, bad script and directing
2 November 2015 | by Pseudo_avatarSee all my reviews

What do you get when you put Voldemort, Moriarty and that nazi villain from Inglourious Basterds in the same movie? If your first thought is "pure epicness", well, sadly you would be wrong. Even great character actors could not save this movie. The real problem lies in a poor scripting and directing. First of all, there is nothing in this movie that couldn't be guessed withing the first 10-minutes. The plot and so called "twists" are rather blatantly thrown in your face within the first minutes. Also, maybe not go with such obvious and typecast villain actors if there's supposed to be twists, hmm? Despite this, it was oddly difficult to comprehend what the heck was happening withing the first hour or so: Bond seemed to randomly go meet some people, and it took me half the scene to orient myself why he was doing what he was doing. I just kept waiting for the real plot to begin.

The movie just felt very lazy. There was a good idea somewhere there, but due to the lack of subtlety and anticipation, it just fell flat. It's also obvious that there will be a sequel to this Spectre thing, and I honestly don't know how they could kick any life to this born dead horse.

The blonde woman was a really bad casting call btw. She was lacking in the kind of toughness and charisma that she was meant to portray; she was instead just a pretty face in high heels. She was also too young to play an "Oxford and Sorbonne psychology graduate", and also too young for the now- graying Craig. Although, since Bond movies generally employ really young women, I'll let that one slide... but other than that, no real chemistry between her and Craig, she seemed almost resigned to play just another blonde one- night stand. Hence our surprise when all of a sudden they were supposed to be in love. What?!

Many of the movie's actors, some of who have played iconic villains in other movies and are therefore guaranteed to be actors worth their salt, were disappointing here. The script probably didn't give them much to work with.

C's character could have been completely written out of the script and nothing would have gone amiss. If anything, M's character could have been more throughoutly examined if that had been the case; a bureaucrat fighting for his unit in the face of an organisation-level change, against the demands of faceless "higher-ups" who send him memos or other impersonal communication. All in all, maybe die-hard fans are able to enjoy this, but for casual viewers like myself it just felt like a flat, money- grubbing Hollywood attempt to milk the franchise for all it's worth.

Stereotypical and often corny, it's an easily forgottable action movie which leaves viewers' heads blank enough to wonder totally arbitrary stuff during the movie. Examples include: why did Monica Bellucci have to awkwardly stand in grass wearing Lomboutins? The heels are clearly sinking into the ground. Why does it seem like there's no people in the entire cities of Rome and Vatican during the car chase? Is the sexy hentai tentacle opening in fact the most corny opening of all time? Is that what Putin would look like, if he was making out with Monica Bellucci? Did the Mr. White character intentionally channel Walter White/ Heisenberg in his near-death log- cabin times? I guess we'll never know. But for a budget of 300 million, I sure as heck expected better.


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