Amid the Civil War in 17th-century England, a group of deserters flee from battle through an overgrown field. Captured by an alchemist, the men are forced to help him search to find a hidden treasure that he believes is buried in the field.
Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
Fleeing for their lives, a small party abandon their Civil War confederates and escape through an overgrown field. Thinking only of what lay behind, they are ambushed by two dangerous men and made to search the field. Psychedelia, madness and chaotic forces slowly overtake the group as they question what treasure lies within the malignant field.Written by
No women appear on screen during the whole film. See more »
Sooner I get back to fucking London, the fucking better. A new fucking coat. Fucking doors that fucking shout. And citizens that pay small fucking reckoning to astrology. I would rather die of the fucking plague in the fucking fleet than spend another fucking minute in the countryside.
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It's Really An Allegory Of The English Civil War Itself
A FIELD IN ENGLAND is an incredibly brilliant and haunting film. While it may look like a psychedelic horror movie, like WITCH FINDER GENERAL, in reality it is a very straightforward film based very directly on the English Civil War itself.
O'Neill, the Irish alchemist who tries to enslave Whitehead and his friends, is clearly based on the English monarch Charles I. Like Charles, O'Neill is an arrogant man who claims not only total earthly power, but the right to pass judgment on men and to interfere with the cosmos itself. Just as Charles I saw himself as chosen by God (not the people) to rule as an absolute monarch, so O'Neill sees himself as a god on earth.
Whitehead, the timid religious scholar who attempts to bring O'Neill to justice, represents the Puritan conscience of England. His evolution in the film from a meek, submissive cowardly man to a military hero parallels the way the Puritans themselves evolved from a hunted, despised minority to a powerful army of spiritual and political authority, able to recreate England in their own image.
What the movie does is not just to imitate history but to reflect on its deeper meaning. Notice how the earthy, ignorant common soldiers switch their allegiance in the course of the nightmarish conflict in the field. At first they feel great contempt for Whitehead, the Puritan. They ridicule his "soft hands" and laugh when he is degraded and tortured and forced to run on a leash like a dog. In the same way, the English of Shakespeare's time (like Shakespeare himself) tended to regard the Puritans as a joke. But over time, as O'Neill proves more and more arrogant and unstable, the soldiers (like the English common people) begin to respond to Whitehead's efforts to awaken their sense of justice and their own moral dignity. By the end of the film, even the lowliest and most ignorant of the soldiers is willing to sacrifice his own life in Whitehead's cause, and Whitehead himself has changed from a pitiful outsider to the leader of the tiny band of "rebels." The fall of O'Neil parallels the fall of Charles I, just as the rise of Whitehead mirrors the success of the Puritan revolution.
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