One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
The film follows the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed. As the sailors fight for survival, their families desperately battle political obstacles and impossible odds to save them.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
In a world where journalism is under attack, Marie Colvin (Rosamund Pike) is one of the most celebrated war correspondents of our time. Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while constantly testing the limits between bravery and bravado. After being hit by a grenade in Sri Lanka, she wears a distinctive eye patch and is still as comfortable sipping martinis with London's elite as she is confronting dictators. Colvin sacrifices loving relationships, and over time, her personal life starts to unravel as the trauma she's witnessed takes its toll. Yet, her mission to show the true cost of war leads her -- along with renowned war photographer Paul Conroy (Jamie Dornan) -- to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.Written by
Rosamund Pike delivers a fiery performance as Marie Colvin, a war correspondent who earned a reputation as iron-willed in her commitment to war reporting even in the face of grave danger throughout the 2000s. Unfortunately, her gravelly voice cannot carry the entire film which occasionally veers off into obvious Oscar-bait territory. A handful of gripping scenes do spring up, including when she meets with Muammar Gaddafi shortly before his regime is overthrown.
But all in all, I would call this a middle-of-road biopic, one that is likely to fly under the radar and be remembered only by news junkies and anti-war activists, if anyone at all. This despite, again, a terrific effort by Pike. Not recommended.
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