| Cast overview, first billed only: | |||
| Michael Polley | ... | Self - Storyteller | |
| Harry Gulkin | ... | Self - Storyteller | |
| Susy Buchan | ... | Self - Storyteller | |
| John Buchan | ... | Self - Storyteller | |
| Mark Polley | ... | Self - Storyteller | |
| Joanna Polley | ... | Self - Storyteller | |
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Cathy Gulkin | ... | Self - Storyteller |
| Marie Murphy | ... | Self - Storyteller | |
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Robert MacMillan | ... | Self - Storyteller |
| Anne Tait | ... | Self - Storyteller | |
| Deirdre Bowen | ... | Self - Storyteller | |
| Victoria Mitchell | ... | Self - Storyteller | |
| Mort Ransen | ... | Self - Storyteller | |
| Geoffrey Bowes | ... | Self - Storyteller (as Geoff Bowes) | |
| Tom Butler | ... | Self - Storyteller | |
In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the ... Written by The National Film Board of Canada
I saw this film as part of a month-long series of documentaries at my local public library. Throughout the film, I was struck by the seeming incredible luck that the director had in having access to so much timely and relevant Super 8 movie footage of the family in their younger days. That all became moot when, near the end of the closing film credits, it is revealed that every single member of the family in past and present was portrayed by an actor. In effect, it is not a true documentary at all but the very well written and directed retelling of someone else's family story. The audience at the viewing I attended had much the same reaction--thinking that we had just been taken for a very elaborate ride.