Seventy-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.
Adam Jones (Bradley Cooper) is a chef who destroyed his career with drugs and diva behavior. He cleans up and returns to London, determined to redeem himself by spearheading a top restaurant that can gain three Michelin stars.
After spending the night together on the night of their college graduation Dexter and Emma are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
A retired 70-year-old widower, Ben (played by Robert De Niro), is bored with retired life. He applies to a be a senior intern at an online fashion retailer and gets the position. The founder of the company is Jules Ostin (Anne Hathaway), a tireless, driven, demanding, dynamic workaholic. Ben is made her intern, but this is a nominal role - she doesn't intend to give him work and it is just window dressing. However, Ben proves to be quite useful and, more than that, a source of support and wisdom.Written by
Sometimes you go to the theater, and you cringe at some of the previews, most of which are full of sex, violence, and an apocalyptic view of the world. It's hard to find a movie that is respectable and clean, with charm and wit, one that is suitable for thinking adults. "The Intern" is such a movie.
Robert DeNiro is superb. How a guy who played such ruthless characters in "Goodfellas" and "Taxi Driver" can pull off this avuncular gentlemen is a testament to his craft. His Ben Whittaker almost seems too perfect, but DeNiro brings a humanity that makes him eminently believable. Anne Hathaway does a fine turn as the Internet entrepreneur, and fleshes out well what could have been a cartoon character of the Übermom. The supporting cast supports wonderfully, giving the stars plenty of room to shine, not distracting from the story. And the plot never goes where it shouldn't, something that does happen in other, more cynical films.
So I would very highly recommend this film. It has some "legs," as evidenced by the fairly sizable audience given that it's in its sixth week of release. You know why? You'll leave the theater entertained and uplifted. And how often can you say that at the cinema these days?
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