It's 1949 Los Angeles, the city is run by gangsters and a malicious mobster, Mickey Cohen. Determined to end the corruption, John O'Mara assembles a team of cops, ready to take down the ruthless leader and restore peace to the city.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Boston, 1926. The '20s are roaring. Liquor is flowing, bullets are flying, and one man sets out to make his mark on the world. Prohibition has given rise to an endless network of underground distilleries, speakeasies, gangsters, and corrupt cops. Joe Coughlin, the youngest son of a prominent Boston police captain, has long since turned his back on his strict and proper upbringing. Now having graduated from a childhood of petty theft to a career in the pay of the city's most fearsome mobsters, Joe enjoys the spoils, thrills, and notoriety of being an outlaw. But life on the dark side carries a heavy price. In a time when ruthless men of ambition, armed with cash, illegal booze, and guns, battle for control, no one-neither family nor friend, enemy nor lover-can be trusted. Beyond money and power, even the threat of prison, one fate seems most likely for men like Joe: an early death. But until that day, he and his friends are determined to live life to the hilt. Joe embarks on a dizzying...Written by
When Joe enters a ballroom searching for Emma, the press card in his hat is vertical. In the next shot, this card is leaning to the back of the hat. In the following shot, it's vertical again. See more »
In 1917, I signed up to fight the Huns in France. Good men died all around me, and I saw no reason for it. The rules we lived by were lies. And they didn't apply to those who made them. I swore If I made it home, I would never follow orders again. I left a soldier, I came home an outlaw.
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Written and performed by Hozier
Courtesy of Rubiworks and Island Records See more »
multiple elements that aren't effectively woven together
Actor/writer/director Ben Affleck tries his hand at a period piece in this ambitious crime saga beginning in the 1920s Prohibition Era. Joe Coughlin—the son of a renowned Boston police officer—is a small-time crook looking to make a name for himself in the ruthless underworld of organized crime. After a series of tragic circumstances, he relocates to the South to become the frontman/muscle for an Italian mafia bootlegging operation, but quickly gets plunged into the seedy, seductive world of money, power, greed, and corruption. Intriguing at first, with tense moments of action and character interactions, but goes on too long by following too many unrelated story threads, features ineffective casting in key roles, has too many familiar elements, and concludes in pat, sanctimonious fashion. Despite some flavorful ingredients, Affleck's attempt to create a potent, moralizing amalgam of The Town and The Godfather doesn't quite succeed. **½
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