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The Great Beauty (2013)

La grande bellezza (original title)
Not Rated | | Drama | 14 March 2014 (USA)
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Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.

Director:

Paolo Sorrentino

Writers:

Paolo Sorrentino (story), Paolo Sorrentino (screenplay) | 1 more credit »
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3,192 ( 14)
Won 1 Oscar. Another 56 wins & 76 nominations. See more awards »

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Cast

Cast overview, first billed only:
Toni Servillo ... Jep Gambardella
Carlo Verdone ... Romano
Sabrina Ferilli ... Ramona
Carlo Buccirosso ... Lello Cava
Iaia Forte ... Trumeau
Pamela Villoresi Pamela Villoresi ... Viola
Galatea Ranzi Galatea Ranzi ... Stefania
Franco Graziosi Franco Graziosi ... Conte Colonna
Giorgio Pasotti ... Stefano
Massimo Popolizio ... Alfio Bracco
Sonia Gessner Sonia Gessner ... Contessa Colonna
Anna Della Rosa ... Ragazza Esangue
Luca Marinelli ... Andrea
Serena Grandi ... Lorena
Ivan Franek ... Ron Sweet
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Storyline

Journalist Jep Gambardella has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city's literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty. Written by Jon Mulvaney

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France

Language:

Italian | Japanese | Spanish | Chinese

Release Date:

14 March 2014 (USA) See more »

Also Known As:

The Great Beauty See more »

Filming Locations:

Rome, Lazio, Italy See more »

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Box Office

Budget:

€9,200,000 (estimated)

Opening Weekend:

€2,262,228 (Italy), 27 May 2013, Limited Release

Opening Weekend USA:

$23,442, 15 November 2013, Limited Release

Gross USA:

$2,852,400, 20 April 2014

Cumulative Worldwide Gross:

$23,712,400, 20 April 2014
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The first cut of the movie was 183-minute long. See more »

Quotes

Jep Gambardella: To this question, as kids, my friends always gave the same answer: "Pussy". Whereas I answered "The smell of old people's houses". The question was "What do you really like the most in life?" I was destined for sensibility. I was destined to become a writer. I was destined to become Jep Gambardella.
See more »

Connections

References Roma (1972) See more »

Soundtracks

Moody
Written by the Scroggins Sisters
Performed by ESG
See more »

Frequently Asked Questions

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User Reviews

 
A Masterpiece.
14 September 2013 | by Martin BradleySee all my reviews

Italian cinema is, at last, on a roll again. Perhaps not in the same way as when Rossellini, Visconti, Fellini and De Sica were batting masterpiece after masterpiece into the arena but maybe more prodigiously than at any time since the young Olmi and young Bertolucci were setting the screen alight. In recent years we have had Michelangelo Frammartino's "Le Quattro Volte", Gianni De Gregorio's sublimely gentle comedies "Mid-August Lunch" and "The Salt of Life" and, perhaps best of all, the films of Paolo Sorrentino whose "The Consequences of Love", "The Family Friend" and "Il Divo" were highly original and sufficiently off-the-wall to invite comparisons with Fellini. His one venture into English-language cinema, "This Must be the Place", met with a largely hostile reception from critics who accused him of being self-indulgent but I found the film to be gorgeous and quirky and just what I would have expected from so idiosyncratic a talent. And now we have "The Great Beauty", a return to Italy and a return to, what his critics might see as, earlier form.

This film, too, has been compared to Fellini which is entirely appropriate as this is a "La Dolce Vita" for the 21st century. You can even imagine the film's central character, Jeb, as Marcello, older if hardly wiser and for Sorrentino nothing much has changed. But if this is Sorrentino in Fellini mode it's just as close to the beauty and spectacle of "Amarcord" or, more appropriately, "Juliet of the Spirits". Once again the lead is taken by Toni Servillo, who was Sorrentino's Andreotti in "Il Divo" and once again he confirms his position as one of the cinema's finest actors, heading a truly superb ensemble cast.

As in "La Dolce Vita" there is no real 'story' but rather a series of episodes in the life of Jeb in the days following his 65th birthday, (his birthday party is the first of the film's many great sequences). If there is a theme it's Jeb's increasing disillusionment with the lifestyle he has associated himself with over the years, a lifestyle he is very reluctant to give up, no matter how pragmatically he views it. He is a man who has had many women but no real relationship to speak of, (the early love of his life married someone else). He meets the daughter of an old friend, a 42 year old stripper with a drug habit, and they strike up a relationship of sorts though when they go to bed together he is happy when they don't have sex. He gets sustenance from his friends although he can be cutting and abrasive in their presence. It seems as it is they, and not money or power, which keeps him going.

This is a magnificent movie, the kind of film that you know is being composed, frame by gorgeous frame, by a master film-maker. It is a breathtaking melange of sound and images, of great performances and superlative dialogue that draws you in and holds you from its first shot to its last. Some directors open their films with great tracking shots but Sorrentino saves his to the end, up, over and under the bridges of the Tiber as the final credits roll. Don't leave the cinema to the very last second.


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