Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
A retired orchestra conductor is on vacation with his daughter and his film director best friend in the Alps when he receives an invitation from Queen Elizabeth II to perform for Prince Philip's birthday.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with... See full summary »
In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.
Journalist Jep Gambardella has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city's literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.Written by
In an interview conducted by the Italian radio station Radio 2, Paolo Sorrentino claimed that, at some point during production, he was considering to call the film "L'Apparato Umano". "L'Apparato Umano" also is the title of the fictional novel written by the protagonist of the film, Jep Gambardella, played by Toni Servillo. See more »
The trains at our parties are the best in Rome. They're the best cause they go nowhere.
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This film is a modern masterpiece of Cinema. Luca Bigazzi's cinematography is beautiful, with elegant tracking shots of Rome that draw the viewer into the loveliness of Jep's world (even if age and experience seems to have robbed him of the ability to feel and see this great beauty himself).
The enchanting score of choral works by David Lang (I Lie), Vladimir Martynov (The Beatitudes), John Tavener (The Lamb) and Arvo Part (My Heart is in the Highlands) give depth to the wonderful images of Rome. This haunting soundtrack replaces the need for dialogue and adds intensity to Servillo's melancholic performance.
Servillo's acting is superb from his moments of dry humour to the heartbreaking intensity of those feelings he cannot quite hold on to.
La Grande Bellezza gives a window into Roman life that is probably only fully understood by a fellow Roman. However all can appreciate the aesthetic pleasure of Sorrentino's Rome and the bittersweet meanderings of its characters.
This is a cinema of the highest order, imbued with elegance & style. For the viewer it is like swimming in honey. Grazie Signore Sorrentino.
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