In 1980s Louisiana a police detective (W.Dafoe) arrests a contract killer (M.Dillon). To be with his wife (Amy Smart) and newborn, he becomes an informant and assists in taking down the crime ring boss etc. FBI, blood and revenge follows.
A newbie guard for an armored truck company is coerced by his veteran coworkers to steal a truck containing $42 million. But a wrinkle in their supposedly foolproof plan divides the group, leading to a potentially deadly resolution.
Detective Hazel Micallef hasn't had much to worry about in the sleepy town of Fort Dundas until a string of gruesome murders in the surrounding countryside brings her face to face with a serial killer driven by a higher calling.
Paul, a composer, arrives in a remote Mexican village where his father has passed away. As his attention shifts to the fate of a missing woman, Paul must come to terms with the memory of his father and the uncertainty of his future.
When Baton Rouge police detective Bud Carter busts contract killer Jesse Weiland, he convinces Jesse to become an informant and rat out the South's most powerful crime ring. So when the syndicate orders Carter's death and Weiland's ID'd as a snitch, the two team up to take down the mob and the crime boss who orderedWritten by
Sony Pictures Home Entertainment
The Title Song was written, composed & performed by The Directors (Chris Brinker) 13 y/o niece, Mikayla Brinker. Mikayla actually wrote the song as a memorial for her uncle Chris who passed away making the Film. The song title is Whiskey Bay (The Ballad of Lynn & Jesse). FYI - The original title of the Film was Whiskey Bay. See more »
(at around 52 mins) When Jesse has Catfish against the truck, you can see the adhesive holding on Jesse's fake mustache during the closeup. See more »
South Louisiana in the 1980s was a different kind of time and place. Some called it lawless. But it wasn't. Others said we just got a certain way of doing things down here. But it ain't that either. Instead, I call it what it was. Hell with the lid off.
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Just 5-6 minutes in the whole movie (mostly dialogs) are slack, the rest kept me watching - very good sign. In general movie looks VERY professional and well made, including casting of actors, retro-decorations (but with modern editing and good pace), whole aura. I've been really touched by this re-make of 80-s.
On the negative side is somewhat primitive agenda: excessive use of neo-Nazi symbolics transposed on "southern planter" image definitely looks like "Zombie Nazi in Space" exploitation and reduces the value of references to "based on real events movie". "Big shootout" looks unrealistic, with all respect - even if they wanted to add some pepper to make action "hot" it's not another "Matrix", and to me it seems that for this specific type of movie director definitely over-used ammunition and slow-mo sequences.
However general impression is not spoiled and I want to applause.
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