6.4/10
24,594
94 user 112 critic

Third Person (2013)

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Three interlocking love stories involving three couples in three cities: Rome, Paris, and New York.

Director:

Paul Haggis

Writer:

Paul Haggis (screenplay)
1 win. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Liam Neeson ... Michael
Maria Bello ... Theresa
Mila Kunis ... Julia
Kim Basinger ... Elaine
Michele Melega ... Giorgio
Adrien Brody ... Scott
Gianni Franco Gianni Franco ... Taxi Driver (Rome)
Marius Bizau ... Taxi Driver (Paris)
Olivia Wilde ... Anna
Katy Louise Saunders ... Gina
James Franco ... Rick
Loan Chabanol ... Sam
Oliver Crouch Oliver Crouch ... Jesse
Valentina Gaia Valentina Gaia ... News Reader
Riccardo Scamarcio ... Marco
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Storyline

Michael (Liam Neeson) is a Pulitzer Prize-winning fiction author who has holed himself up in a hotel suite in Paris to finish his latest book. He recently left his wife, Elaine (Kim Basinger), and is having a tempestuous affair with Anna (Olivia Wilde), an ambitious young journalist who wants to write and publish fiction. At the same time, Scott (Adrien Brody), a shady American businessman, is in Italy to steal designs from fashion houses. Hating everything Italian, Scott wanders into the Café American" in search of something familiar to eat. There, he meets Monika (Moran Atias), a beautiful Roma woman, who is about to be reunited with her young daughter. When the money she has saved to pay her daughter's smuggler is stolen, Scott feels compelled to help. They take off together for a dangerous town in Southern Italy, where Scott starts to suspect that he is the patsy in an elaborate con game. Julia (Mila Kunis), an ex-soap opera actress, is caught in a custody battle for her 6 ... Written by Sony Pictures Classics

Plot Summary | Add Synopsis

Taglines:

Life can change at the turn of a page.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

Belgium | USA | UK | Germany

Language:

English | Italian

Release Date:

14 November 2014 (UK) See more »

Also Known As:

Amores infieles See more »

Filming Locations:

Rome, Lazio, Italy See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$38,856, 22 June 2014, Limited Release

Gross USA:

$1,019,038, 19 September 2014
See more on IMDbPro »

Company Credits

Production Co:

Corsan, Hwy61, Volten See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Most of the film, including New York City street scenes, were shot on sets built at Cinecittà Studios in Rome. See more »

Goofs

When Olivia Wilde's character is locked out of Liam Neeson's character hotel room, she is completely naked and in such conditions she runs down the corridor and stairs towards her own room. When she enters it, she can be seen wearing knickers. See more »

Quotes

Theresa: You love love.
Theresa: It's people you don't have time for.
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Crazy Credits

The opening as well as the first part of the ending credits share the same graphic pattern style as the lower parts of the glass partitions in the apartment of Franco's character. See more »

Connections

Featured in La noche de...: En tercera persona (2017) See more »

Soundtracks

Non Dorma Mai
Performed by Erica Mou
Courtesy of Sugar Srl. / Sugarmusic S.p.A
Written by Erica Mou and Davide Dileo
Published by Sugar Srl.
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Frequently Asked Questions

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User Reviews

 
Persons
23 September 2014 | by kosmaspSee all my reviews

Paul Haggis did it again. At least for me he did. Obviously judging by the low rating, it hasn't had the same effect on others here. I really loved the movie, the intricacies, the connections and of course the "resolution". There might be a better word for the ending, but one thing is for sure: The movie demands more than one viewing. You can watch it with different eyes (your own, just a matter of speaking) and see things in a new light.

There's also trademark Haggis dialog, pointing in one direction, making fun of it, by almost straying away, than going full throttle on the first assumption you made. You may or may not like that, but it's what Haggis can do very good. And he has the actors to pull anything off, he gives them. It's a great movie with little hints here and there, that make sense in the end. Even if you don't get everything the first time around, it is a rewarding (viewing) experience


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